游戲規則1994

? 8.4 播放：29萬 2026-04-26

　　一心想過上流社會生活的龍太（樸重勛 飾）和一心一意愛著他的美容師泰洙（吳燕洙 飾）為了尋找寄身于黑社會的母親柳光天不顧三七二十一的來到了大都市。　　在路上的火車站里被滿洙（李璟榮 飾）騙光錢財后成了流浪漢，急火功心的龍太將同行的泰洙賣給了妓院，繼續尋找柳光天四處漂泊。一個偶然的機會下龍太救了命懸一線的柳光天并成了她的手下，當龍太再次和泰洙相見時，泰洙已經成了妓女可是她對龍太還是一往情深。　　想要在黑道立足的龍太第一個任務完成的很圓滿，可是卻因為龍太的原因被黑道組織打斷了腿的滿洙觸動了龍太最后一絲憐憫之心，看清了自己所處的位置，龍太意識到自己希望的光天派和現實并不一樣，而且組織眼看著勢力迅速崛起的龍太勢力也覺得不安心，于是向龍太下達了一個暗殺給組織帶來威脅的金檢察官……

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? 播放 游戲規則1994

劇情提要

　　一心想過上流社會生活的龍太（樸重勛 飾）和一心一意愛著他的美容師泰洙（吳燕洙 飾）為了尋找寄身于黑社會的母親柳光天不顧三七二十一的來到了大都市。　　在路上的火車站里被滿洙（李璟榮 飾）騙光錢財后成了流浪漢，急火功心的龍太將同行的泰洙賣給了妓院，繼續尋找柳光天四處漂泊。一個偶然的機會下龍太救了命懸一線的柳光天并成了她的手下，當龍太再次和泰洙相見時，泰洙已經成了妓女可是她對龍太還是一往情深。　　想要在黑道立足的龍太第一個任務完成的很圓滿，可是卻因為龍太的原因被黑道組織打斷了腿的滿洙觸動了龍太最后一絲憐憫之心，看清了自己所處的位置，龍太意識到自己希望的光天派和現實并不一樣，而且組織眼看著勢力迅速崛起的龍太勢力也覺得不安心，于是向龍太下達了一個暗殺給組織帶來威脅的金檢察官……

幕后花絮

派對島上的危險

性格內向的律師梅爾·戴爾得知她愛冒險的妹妹突然去世后感到悲痛欲絕。但當她前往收集姐姐的尸體時，她很快就懷疑有人謀殺。她可能是下一個。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.