蜜桃成熟時3之蜜桃仙子

★ 0.2 播放：59萬 更新：2026-04-22
主演：芳正 王書麒 

管理人間情侶事的小仙子蜜桃，由於不懂何謂愛情而弄致凡間眾多愛侶分手，所以愛神派她到人間學習愛情，她要令到?jīng)]膽闖情關(guān)的海膽向暗戀多年的小蕙說「我愛你」才算任務完成。海膽、小蕙和Ronald是青梅竹馬的玩伴。蜜桃來到人間鼓勵海膽追求小蕙，可惜小蕙就已鐘情Ronald。失望的海膽決定回南丫島打理漁排，遭小蕙及Ronald反對，沮喪的海膽得到蜜桃的鼓勵而重新振作。小蕙在風外中遇險被海膽所救，小蕙深受感動，主動投懷送抱，但此時海膽真正明白最愛的是蜜桃，可惜蜜桃因動了凡心而遭上天懲罰，海膽回到漁排救她時，她的生命已危在旦夕。 　　

在線播放

劇情簡介

管理人間情侶事的小仙子蜜桃，由於不懂何謂愛情而弄致凡間眾多愛侶分手，所以愛神派她到人間學習愛情，她要令到?jīng)]膽闖情關(guān)的海膽向暗戀多年的小蕙說「我愛你」才算任務完成。海膽、小蕙和Ronald是青梅竹馬的玩伴。蜜桃來到人間鼓勵海膽追求小蕙，可惜小蕙就已鐘情Ronald。失望的海膽決定回南丫島打理漁排，遭小蕙及Ronald反對，沮喪的海膽得到蜜桃的鼓勵而重新振作。小蕙在風外中遇險被海膽所救，小蕙深受感動，主動投懷送抱，但此時海膽真正明白最愛的是蜜桃，可惜蜜桃因動了凡心而遭上天懲罰，海膽回到漁排救她時，她的生命已危在旦夕。 　　

導演精選

暗夜呢喃

　　Based on the H. P. Lovecraft story of the same name, a folklorist investigates reports of unusual creatures in Vermont only to uncover more than he bargained for

圣山1973

　　一位貌似耶穌的小偷（Horácio Salinas 飾）從兒童們的石塊擊打中醒來，與一個無手無腳的侏儒結(jié)伴進入城市。城中正進行一場瘋狂的慶典，一些人被殺死，鳥雀從他們的槍口中飛出，大量蟾蜍穿著印第安人以及歐洲殖民者的服裝在混戰(zhàn)中被炸的粉碎。小偷從幾個羅馬士兵打扮的人手中接過十字架，又被他們將自身的形象制造成無數(shù)模型……小偷在眾目睽睽下爬上了一座能生產(chǎn)黃金的高塔，塔內(nèi)的術(shù)士從小偷的糞便中提煉出了金子。術(shù)士用占星術(shù)確認了幾位門徒，他們是生產(chǎn)面具的商人、武器商、藝術(shù)家、玩具商、政府顧問、軍隊長官和建筑師，七人分別代表不同的行星。術(shù)士把這些掌控國家的人物積聚一起，拋棄一切之后向傳說中的圣山進發(fā)尋找不朽的秘密。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.