漫漫吾日
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死在那年夏天
吉拉育·拉翁馬尼,Suthatta Udomsilp,????????? ???????????,??? ???????????????,???????? ???????????喬伊是學(xué)校里公認(rèn)的校花，她擁有著美麗的面孔和優(yōu)越的身世，毫無疑問每日生活在幸福之中。然而某一日，這位集萬千寵愛于一身的可愛姑娘卻在社交網(wǎng)絡(luò)上留下了“我想死”的絕望信息。阿信是喬伊的男友，兩人之間感情十分要好，看到女友悶悶不樂的樣子，阿信決定同好友阿敢一起，帶著喬伊和她的閨蜜小敏前往海邊度假。 眾人本以為，這會是一場充滿了瘋狂和歡樂的旅程，然而，喬伊的慘死卻為這場派對蒙上了驚悚恐怖的陰影。余下的三人受到了不小的驚嚇，他們決定隱瞞整個死亡事件，希望生活能夠就此回歸平靜。不過顯現(xiàn)，喬伊的冤魂并不愿意放過他們。
偉大的覺醒
John Paul Sneed,喬納森·布萊爾,Josh Bates,Joe Dignoti,Stephen Foster HarrisExploring the friendship between renowned preacher George Whitefield and Benjamin Franklin, and Whitefield's impact during the pivotal Great Awakening religious movement.
印度超人
佩麗冉卡·曹帕拉,赫里尼克·羅斯?jié)h,納薩魯丁·沙延續(xù)了印度英雄羅希的故事：羅希得到外星人所賦予的超能力與智慧后，邂逅了一位美麗女子并生下兒子克里許那。然而因為一場交通意外，克里許那失去了雙親，和祖母相依為命。 當(dāng)克里許那長大成人后，他發(fā)現(xiàn)自己除了從父親身上遺傳了俊俏臉龐外，竟同時擁有超能力，而這種力量將會改變他的一生。一次偶遇，克里許那愛上從新加坡來的少女琵莉亞，其后琵莉亞回國，克里許那傷心不已，祖母便建議他到新加坡去追尋自己的真愛。 一晚，克里許那與琵莉亞去欣賞一個馬戲團(tuán)表演，卻發(fā)生了大火，堵住了所有的出口，把觀眾和馬戲團(tuán)團(tuán)員都困在帳棚里。絕望的觀眾在火場中只能期待渺茫的奇跡。此時，克里許那馬上化身為奇魔俠并發(fā)揮了他強(qiáng)大的力量，拯救了所有在場的人。 經(jīng)此一役，克里許那領(lǐng)悟到他強(qiáng)大力量的背后，背負(fù)著保護(hù)大眾的宿命，而這個宿命的最終任務(wù)，就是對抗邪惡博士，阻止他控制世界的駭人計劃……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
奇幻西游：新世界
許光漢,劉冠廷,庾澄慶,邵雨薇,庹宗華,鐘欣凌,魏如萱,許展榮,許展瑞未來世界，科技與數(shù)據(jù)主宰一切，當(dāng)舊城區(qū)變得又老又?jǐn)D，以最新科技打造的新世界，成為人人向往的移居地，然而唯有貢獻(xiàn)值最高的菁英，才有資格入住。八戒（許光漢 配音）又懶又自私當(dāng)然失格，但他為了讓奶奶（鐘欣凌 配音）過好日子，決定違背良心，與建商總裁牛魔王（庹宗華 配音）私下交易…… 影片將《西游記》搬到科幻場景，八戒化身賽博胖客，與理工男三藏（劉冠廷 配音）、火爆護(hù)衛(wèi)悟空（庾澄慶 配音）、女機(jī)器人小凈（邵雨薇 配音），穿梭新舊混雜市景，探索幸福真諦。
追遠(yuǎn)尋根
Clare Monnelly,布里·尼·內(nèi)奇廷,亞歷山德拉·比斯特日茨卡婭,Clare Barrett,夏洛特·布拉德利,塔拉·布雷思納克,格蕾絲·科倫德,Peadar Cox,Jim Cunningham,多蘿西·達(dá)菲,Marcus Lamb,邁克爾·奧·萊恩,Oisín ó Maoileoin,Liv O'Donoghue,奧爾加·韋爾利被譽(yù)為“史上第一部愛爾蘭語恐怖片”，《弗雷瓦卡》圍繞一位名叫休的護(hù)理工作者展開，她被個人悲劇所困擾。休被派往一個偏遠(yuǎn)村莊照顧一位患有廣場恐懼癥的女性，她既害怕鄰居，也害怕納希德——她相信幾十年前被這些神秘民間實體綁架。隨著兩人建立起深厚的聯(lián)系，休逐漸被這位老婦人的偏執(zhí)、儀式和迷信所吞噬，最終面對她自己的過去所帶來的恐怖。