365天：今時之欲
勞拉和馬西莫歸來，而且比以往任何時候都要熱辣。這對情侶久別重逢，但兩人的新開始卻因馬西莫的家庭關系和一名神秘男子而變得十分復雜。為進入勞拉的生活以獲取她的芳心和信任，這個神秘男子將不惜一切代價。
劇情簡介
勞拉和馬西莫歸來，而且比以往任何時候都要熱辣。這對情侶久別重逢，但兩人的新開始卻因馬西莫的家庭關系和一名神秘男子而變得十分復雜。為進入勞拉的生活以獲取她的芳心和信任，這個神秘男子將不惜一切代價。
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萬圣節傳說
波波·斯圖爾特,格蕾絲·菲普斯,奧斯丁·法爾克,阿德里安娜·巴比歐,凱爾·吉克瑞斯特,山姆·威特沃,巴瑞·波斯威克,格雷戈·格倫伯格,林·沙燁,約翰·蘭迪斯,何塞·巴勃羅·坎蒂略,芭芭拉·克蘭普頓,喬·丹特,亞當·格林,羅伯特·拉斯勒,諾阿·西甘,帕特·希利,斯圖爾特·戈登,米克·加里斯,拉斐爾·喬丹,寶拉雅娜·麥金托什,詹姆斯·杜瓦爾,艾麗克斯·埃索,克里斯蒂娜·克萊伯,卡羅琳·威廉姆斯,達納·古爾德1）名叫蒂米的男童怨靈會在萬圣節當晚四處尋找糖果，甚至會為此挖開他人的肚子；2）小男孩被逼迫去一戶人家惡作劇，結果被長著角的男主人抓住，兩人一起上街惡搞乃至戕害狂歡的人群；3）某戶人家正坐在客廳看電影，這時有個打扮成巫婆的女孩敲門，卻用刀捅了男主人，恐怖的萬圣節變成災難，當然他們正為自己的所作所為付出代價；4）二男一女不良少年團伙在萬圣節之夜四處欺負他人，這時打扮成魔鬼的少年出面阻止他們，反而被三人抓住。5）老婦人和親朋們講述了瑪麗?貝利的傳說，那是一個不愿意被人看到的女人的怨靈，如果被她看到可就慘了；6）無法承受喪女之痛的女人在萬圣節之夜變成了心理失衡的惡魔；7）中年人的對面，搬來幾個重口味的金屬青年，夜幕降臨，他和重金屬們發生了沖突；8）密林深處，失魂落魄的少女被無情的殺人狂追逐，突然怪事發生；9）兩個劫匪企圖在萬圣節綁架某富豪的孩子，怎奈請神容易送神難；10）男人好不容易雕了一個南瓜頭，結果南瓜頭突然活了過來，大鬧街頭。
無處釋放我
杰瑞米·艾倫·懷特,杰瑞米·斯特朗,保羅·沃爾特·豪澤,斯蒂芬·格拉漢姆,奧黛莎·楊,馬克·馬龍,蓋比·霍夫曼,大衛·克朗姆霍茨,格蕾絲·古默,哈里森·吉爾伯特森,約翰尼·坎尼扎羅,琳恩·A·弗里德曼,斯蒂芬·辛格,伊萬·阿馬羅·布隆,莎拉·斯洛博達,克里斯托弗·杰伊姆斯,格雷格·普朗科,克雷格·杰拉蒂,阿拉貝拉·奧利維婭·克拉克,洛蕾娜·奧斯塔影片聚焦布魯斯·斯普林斯汀打造1982年的著名專輯《Nebraska》時期，作為年輕音樂人的他努力應對成功的壓力，和令人困擾的過往。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
蠱鎮
Caitlin McWethy,Rachel Ryu,Emily SoppeWhen a cult that worships mind-altering parasites takes over a small town, a trio of women in lockdown are dragged into a fight for survival and revenge.
基卡2025
瑪儂·克拉維爾,Makita Samba,托馬斯·庫芒,Suzanne Elbaz,Ethelle Gonzalez Lardued,伯納德·布蘭卡恩,Kadija Leclere,安納爾·斯諾克,Thierry Hellin,埃洛迪·巴特爾斯伴侶猝然離世，39歲的社工琪卡驚覺腹中孕育著新生命。盡管處境艱難，這個獨自面對命運的女人仍決定留下孩子，用柔弱的肩膀扛起守護家庭的重量——在支離破碎的生活里，為未出世的生命筑起體面的避風港。
愛我愛我
米爾·詹金斯,佩佩·巴羅佐,盧卡·梅盧奇,Andrea Guo,Michelangelo Vizzini,Madior Fall,Vanessa Donghi朱恩（June）在哥哥去世后搬到意大利，尋求新的開始。在她的新精英學校里，她被詹姆斯（James）吸引，詹姆斯是個勇敢卻危險的人，卷入了非法綜合格斗（MMA）比賽，但她卻開始和詹姆斯最好的朋友威爾（Will）約會，威爾是個完美的模范學生。然而，表象具有欺騙性，朱恩很快發現學校里的人都并非表面那樣，每個人都隱藏著秘密。隨著緊張局勢加劇，隱藏的真相浮出水面，朱恩需要決定自己的心真正屬于誰。
她的重生
瑪麗安娜·芳塔娜,喬瓦尼·安扎爾多,Demetra Avincola,Dalila De Marco,洛倫索·吉埃利,Eliana Lupo,Cristiana Raggi,Nicola Rignanese影片在舒緩的節奏下呈現了一位女性重塑自我之路，故事主人公安娜為她十幾歲時犯下的謀殺罪已經服刑15年，雖然服刑期滿，但周圍異樣的眼神意味著 對她的審判仍未結束。安娜離家遠行來到一個小鎮并找到工作，準備開啟新生活，但她仍需與封閉、恐懼、偏見不停斗爭，那些舊日時光留下的黑洞，必須由她親自填補。