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影片是奧地利導(dǎo)演尤里西?塞德?tīng)枴短焯谩啡壳牡诙浚鹘且矎睦蠇D人特瑞莎轉(zhuǎn)向她的妹妹安娜。安娜是一名虔誠(chéng)的基督教信徒，每天都會(huì)為在神前進(jìn)行懺悔。在布道的途中，安娜遇到了各種形形色色的人，同時(shí)殘疾丈夫?qū)λ牟焕斫庖擦钫麄€(gè)家庭瀕臨崩潰……
同類好片
冒牌大賊
黃日華,林憶蓮,左頌升隱市英雄
彭禺厶,王莎,連奕名,來(lái)喜,于莉紅,張家豪,馬詩(shī)紅,翟星月,崔顥嚴(yán)志愿軍：浴血和平
張子楓,宋佳,朱亞文,陳飛宇,彭昱暢,肖央,王硯輝,郭濤,王傳君,周政杰,張宥浩,吳昊宸,王挺,郭曉東,李晨,杜江,馮紹峰,閆妮,阿如那,曲禾,王雨甜,于謹(jǐn)維,王陽(yáng),張雪迎,劉軍,朱一龍,辛柏青,袁凱,梁靖康,于清斌斯大林格勒大血戰(zhàn)
鮑沃斯·布斯,柳博米拉斯·勞恰維丘斯,謝爾蓋·尼科年科,費(fèi)爾南多·阿連德,米哈伊爾·烏里揚(yáng)諾夫,格特·容加斯,鮑里斯·涅夫佐羅夫,布魯諾·弗雷因德利赫,亞歷山大·戈洛博羅德科,Yevgeni Burenkov,費(fèi)奧多爾·邦達(dá)爾丘克,卡爾·海因茨·喬恩斯基,歐克薩娜·范德拉,謝爾蓋·加爾馬什,瓦倫丁·格魯本科,Andrei Grinevich,安德烈·古塞夫,Gerd Michael Henneberg,阿爾喬姆·卡拉佩強(qiáng),季格蘭·格奧薩揚(yáng),尼古拉·克留奇科夫,羅納德·萊西,Horst Schulze,La恐怖直播
河正宇,李璟榮,全慧珍,李大衛(wèi),金弘波,崔正賢,崔大勛,姜信哲,韓成天,孫成燦,金素辰,金大明,金海仁河貍變身計(jì)劃
佩珀·柯達(dá),鮑比·莫尼漢,喬恩·哈姆,凱茜·納基麥,戴夫·弗蘭科,愛(ài)德華多·弗蘭科,梅麗莎·維亞西諾爾,托馬斯·勞,梅麗爾·斯特里普,瓦妮莎·貝爾,阿帕娜·南切拉,山姆·理查森,小伊塞亞·維特洛克,史蒂夫·波賽爾,艾戈·烏迪姆,妮可拉·布魯姆,凱倫·惠伊,莉拉·劉,埃曼·阿卜杜勒-拉扎克,喬·斯帕諾,羅里·艾倫,迪米特利·馬丁導(dǎo)演精選
煉獄校園
一名美國(guó)青少女在學(xué)校慘遭霸凌，回?fù)舻暮蠊麉s是被送到感化學(xué)校，不過(guò)這所「學(xué)校」實(shí)則更像一座監(jiān)獄，她必須奮力抵抗心懷不軌的警衛(wèi)和虎視眈眈的幫派，在這片龍蛇混雜之地殺出自己的生存之道……
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
三塊廣告牌
米爾德雷德（弗蘭西斯·麥克多蒙德 Frances McDormand 飾）的女兒在外出時(shí)慘遭奸殺，米爾德雷德和丈夫查理（約翰·哈克斯 John Hawkes 飾）之間的婚姻因此走到了盡頭，如今，她同兒子羅比（盧卡斯·赫奇斯 Lucas Hedges飾）過(guò)著相依為命的生活。一晃眼幾個(gè)月過(guò)去了，案件仍然沒(méi)有告破預(yù)兆，而警方似乎早已經(jīng)將注意力從案子上轉(zhuǎn)移了開(kāi)來(lái)。被絕望和痛苦纏繞的米爾德雷德租下了高速公路邊上的三塊巨型廣告牌，在上面控訴警方辦案無(wú)能，并將矛頭直接對(duì)準(zhǔn)了警察局局長(zhǎng)威洛比（伍迪·哈里森 Woody Harrelson 飾）。實(shí)際上，威洛比一直隱瞞著自己身患絕癥命不久矣的事實(shí)。因?yàn)檫@三塊廣告牌，米爾德雷德和威洛比的生活發(fā)生了翻天覆地的變化。