艷色

　　19世紀末的西班牙巴塞羅那，阿圖爾·普拉特（塞爾吉·馬特烏 Sergi Mateu 飾）經營著慈父望遠鏡行，他事業有成，家境富裕，但是愛女喬安娜（芭芭拉·格娜加 Bárbara Goenaga 飾）因出生時患有腦炎，因此自幼罹患了一種極為罕見的病癥——失認癥（agnosia）。這種病癥讓她在身體各個感官都健全的情況下，無法順利地認知周遭的人與物。　　阿圖爾長久以來都在努力尋找治好女兒的辦法，而他所掌握的商業機密也都成為同行乃至合作伙伴急欲得到的珍寶。父親臨終之際，將商業機密托付給了喬安娜。與此同時，愛情與誘惑接連降臨，而在這份看似浪漫的追求背后，利欲熏心的人們用無情卑鄙的手段傷害著無助的喬安娜……

　　羅蘭·拉菲特([她])、艾瑪紐爾·貝克特([我的國王])主演新片[外出時刻]( L’heure de la sortie，暫譯)進入拍攝后期。本片由塞巴斯蒂安·馬赫尼耶自編自導。故事講述皮埃爾因一位年輕老師自殺，作為填補進入圣·約瑟夫學院工作。他很快發現這里青少年散發著一種敵意。本片預計8月2日殺青。

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

　　安娜在床上醒來，腦袋因為前一夜的狂歡有些昏沉疼痛。她打開手機，發現新增一款名為“伊麗絲”(IRIS) 的神秘互動APP；它將好姊妹出軌的證據偷拍下來，還將不雅照、私密影片和訊息散布至臉書，監控她的生活，周遭朋友紛紛卷入，陷入恐慌。　　安娜用盡一切辦法，欲將伊麗絲移除，卻引來致命殺機。不甘居于劣勢的她，決定正面迎擊…。