劇情縱覽
超人気女を恐怖の底に突き落とす、沖撃のエロ怪談シリーズ第2弾!「私、生きてるの?それとも死んでるの…?」交通事故に遭った大學(xué)生の麻衣子(藤井シェリー)は事故以來、霊の姿を観れるようになってしまう。戸惑いながらも身の周りに起こる事件を霊視により次々と解決していく麻衣子だったが、ラップ現(xiàn)象を通じて交信してきた不気味な霊との接觸は、沖撃の結(jié)末を引き起こす第一歩だった…。 迅雷快傳地址有效期過后不補(bǔ)抓緊下
在線暢看
臻選佳作
驚變28年2：白骨圣殿
阿爾菲·威廉姆斯,拉爾夫·費(fèi)因斯,杰克·奧康奈爾,基里安·墨菲,艾瑪·萊爾德,毛拉·伯德,艾琳·凱利曼,齊·劉易斯-帕里,羅伯特·羅茲,薩姆·洛克,吉哈茲·艾爾·魯法埃,娜塔莉·庫斯托,Elliot Benn
末日喪鐘再度敲響，帶領(lǐng)觀眾直視人性毀滅的煉獄，感染者的威脅和幸存人類的邪惡。
走心男
權(quán)相佑,文彩元
影片翻拍自阿根廷電影《膝下無子》，講述了高中時(shí)期遇見初戀的男人無意間將家庭史變成秘密而展開的一系列風(fēng)波浪漫喜劇故事。
紐倫堡的審判
斯賓塞·屈塞,伯特·蘭卡斯特,理查德·威德馬克,瑪琳·黛德麗,馬克西米連·謝爾,朱迪·加蘭,蒙哥馬利·克利夫特,維爾納·克倫佩雷爾
講述二戰(zhàn)后在紐倫堡提審德國納粹計(jì)劃的法律關(guān)系者，三個(gè)被告提審的原因是給猶太人施行斷種手術(shù)。擔(dān)任主審判長的是美國人赫魯特，他主張其中兩個(gè)被告無罪；而德國司法部長亞林克竟對此事保持沉默，但檢查官羅森上校卻激烈的指責(zé)被告，因此三個(gè)人展開激烈的辯論。審訊繼續(xù)進(jìn)行下去。而美國的高級官員們希望能在審判中獲提德國所犯罪行的良好證明，因此對審判施以極大的壓力，但赫魯特堅(jiān)守法律的正義立場，給予了最公正的判決。在宣布判決結(jié)果時(shí)，只有亞林對赫魯特審判長的態(tài)度表示贊賞。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster