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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
圣誕日記
賈斯汀·哈特雷,巴萊特·道斯,艾森斯·阿特金斯,邦妮·比蒂麗婭,詹姆斯·瑞馬爾,安德里婭·舒,Vivian Full,杰夫·科貝特,亞倫·科斯塔·加尼斯,Lauren Yaffe,Jacob Mackinnon,Alexander Blaise,Samantha Smart,Baylen D. Bielitz,Sophia Carlin,Patrick K. Dooley,史蒂夫·安托努奇,Christopher Watts小說作家在圣誕節(jié)返鄉(xiāng)整理兒時(shí)故居，遇見了一位正在尋找生母的女人。一本舊日記能解開她們的過往秘密，打開彼此心房嗎？
午夜的太陽
鄭知曉,車學(xué)沇該片翻拍自2006年上映的同名日本電影，講述罹患罕見疾病——XP色素性干皮癥的女主因?yàn)槠つw不能接受陽光照射，否則將出現(xiàn)生命危險(xiǎn)。從此白天與之無緣，只能終日躲在家中，唯一的樂趣也只是趁著夜晚踱到車站廣場(chǎng)唱著自己喜愛的歌。在這一過程中，女主漸漸喜歡上時(shí)常路過車站的沖浪男孩的愛情故事。
養(yǎng)鬼吃人9：?jiǎn)⑹句?/h3> 史蒂文·布蘭德,丹尼爾·布蘭,Jolene Andersen
某個(gè)晴朗假日，美國(guó)青年尼克（Jay Gillespie 飾）和好友史蒂文（Nick Eversman 飾）驅(qū)車穿越國(guó)境線，打算前往墨西哥的提華納尋找一次絕佳的艷遇。他們很快便鎖定了一個(gè)性感尤物，但是突如其來的意外讓二人的狂歡設(shè)想灰飛煙滅。正當(dāng)他們垂頭喪氣之際，某當(dāng)?shù)厝怂徒o二人一個(gè)精致的魔方。尼克和史蒂文的命運(yùn)就此改寫，他們也有如人間蒸發(fā)一般消失。 尼克和史蒂文的失蹤給各自家人莫大的打擊，在一次家庭聚會(huì)中，艾瑪（Tracey Fairaway 飾）從兩人的行李中找到了那枚魔方，而渾身是血的史蒂文也突然出現(xiàn)在房間內(nèi)。家人們對(duì)此感到驚奇喜悅，卻不知道丁頭鬼的魔爪正慢慢伸向他們……
葉塞尼亞
杰奎琳·安德瑞,喬治·拉瓦特,艾爾瑪·洛扎諾,胡安·加利亞,奧斯卡·莫雷利,Pilar Sen,伊莎貝拉·科羅娜,Claudia Martell,艾麗西亞·羅德里格斯,奧古斯托·貝內(nèi)迪克,維克托·阿爾科塞爾,何塞·巴伐利亞,羅莎·弗曼,Maria Wagner,費(fèi)爾南多·索萊爾19世紀(jì)熱情洋溢的墨西哥小鎮(zhèn)，吉普賽女郎葉塞尼亞（杰奎琳·安德瑞 Jacqueline Andere 飾）和伙伴們暢快淋漓歌舞，她高傲聰慧，宛若一株帶刺的玫瑰，由于時(shí)常遭到白人的歧視，因此葉塞尼亞偶爾會(huì)偷錢懲治這幫勢(shì)力眼，卻不知道自己擁有怎樣曲折的身世。某天，葉塞尼亞在酒館算命，結(jié)識(shí)了自信滿滿的白人軍官奧斯瓦爾多（Jorge Lavat 飾）。一來二去的交往，這對(duì)有情男女墜入愛河。愛情的甜蜜與苦澀，令他們飽受折磨。勇敢的奧斯瓦爾多請(qǐng)求吉普賽頭人同意他們的結(jié)合，在葉塞尼亞外婆的點(diǎn)撥和撮合下，這個(gè)狂野女郎最終如愿和奧斯瓦爾多結(jié)為夫婦。幸福總是短暫易逝，葉塞尼亞和丈夫迎來了長(zhǎng)時(shí)間的生離死別，他們的愛情也經(jīng)歷了嚴(yán)峻的考驗(yàn)……
快樂獵殺
Martin Dingle Wall,Ken Lally,C.J. Baker,Gary Sturm一個(gè)酗酒的二逼必須跟另一幫沙漠里面腦子有病的殘忍土老帽兒玩兒被獵殺的游戲，你覺著他能堅(jiān)持到最后么 五名酗酒者, 成為貝德福德平原狩獵小鎮(zhèn)的狩獵對(duì)象, 而沃倫則是佼佼者, 他們與鎮(zhèn)民展開了輸死搏斗, 面對(duì)全副武裝的鎮(zhèn)民, 他們能否逃出升天? 得知前女友在墨西哥過世而且留下他們的女兒，酒鬼沃倫決定當(dāng)個(gè)好父親，開始戒酒並前去接回女兒。途經(jīng)一座沙漠小鎮(zhèn)停車休息，卻在當(dāng)?shù)匾馔庀萑牖杳裕辉傩褋磲幔謧惏l(fā)現(xiàn)自己恰巧遇上小鎮(zhèn)的狩獵季節(jié)，而獵物竟是沃倫與其他旅客！除了要應(yīng)付鎮(zhèn)民的瘋狂追殺，同時(shí)還要克服不斷襲來的戒斷癥狀，沃 倫能否順利逃出沙漠，與女兒共享天倫之樂？
AI 愛上你
平采娜·樂維瑟派布恩,馬里奧·毛瑞爾,薩哈賈克·波斯安吉特,大衛(wèi)·阿薩瓦納德,Watthanachai Treedecha,Thaweesak Thananan,Kenneth Won,Michael S. New,James Laver,Ladapa Ratchataamonchot,Chris Wegoda,Fuang R. Puttarangsi,Manita Chobchuen,Siri Tveter,Hassaya Isariyasereekul一個(gè)故障百出的 AI 機(jī)械人正面臨被淘汰的命運(yùn)，卻因愛上一個(gè)女人而躲進(jìn)一個(gè)男人的血肉之軀，用盡千方百計(jì)奪取芳心。