不法之軀

7.9 播放:38萬 更新:2026-04-22
主演: David Bradley Anna Levine Ashley 

坦妮雅的教練比利,在離開她家后被刺殺,警方派出破案最高的警探,布萊德與佩姬聯(lián)手偵辦此案,布萊德因辦案與坦妮雅發(fā)生性關(guān)系,因而了解她的過去,幾年前坦妮雅與愛人路易斯結(jié)婚的前一晚,因飯店失火而死亡,而路易斯前女友的妹妹菲莉西亞非常怨恨坦妮雅,發(fā)誓要報(bào)仇;坦妮雅懷疑是菲莉西亞下的毒手,但苦無證據(jù),而佩姬竟然謊報(bào)聲稱菲莉西亞在失火后因車禍而亡。佩姬為何要謊報(bào)菲莉西亞車禍死亡?布萊德已間接涉入命案的漩渦中,也要如何抽絲剝繭、撥云見日呢?誰是兇手,用心揣測,你可能就是現(xiàn)代的福爾摩斯。

即刻觀影

劇情賞析

坦妮雅的教練比利,在離開她家后被刺殺,警方派出破案最高的警探,布萊德與佩姬聯(lián)手偵辦此案,布萊德因辦案與坦妮雅發(fā)生性關(guān)系,因而了解她的過去,幾年前坦妮雅與愛人路易斯結(jié)婚的前一晚,因飯店失火而死亡,而路易斯前女友的妹妹菲莉西亞非常怨恨坦妮雅,發(fā)誓要報(bào)仇;坦妮雅懷疑是菲莉西亞下的毒手,但苦無證據(jù),而佩姬竟然謊報(bào)聲稱菲莉西亞在失火后因車禍而亡。佩姬為何要謊報(bào)菲莉西亞車禍死亡?布萊德已間接涉入命案的漩渦中,也要如何抽絲剝繭、撥云見日呢?誰是兇手,用心揣測,你可能就是現(xiàn)代的福爾摩斯。

編輯推薦

電梯游戲

Megan Best,亞當(dāng)·哈蒂格,Gino Anania,Alec Carlos,納扎利·德姆克維奇,Verity Marks,Liam Stewart-Kanigan,Madison MacIsaac,Samantha Halas

  故事描述萊恩(吉諾亞拿尼亞 飾)的妹妹在幾個月前失蹤了,他認(rèn)為她失蹤的原因是玩了網(wǎng)路上流傳的“電梯游戲”,傳說只要照著特定步驟操作電梯,就可以前往另一個次元。為了找到妹妹,萊恩說服他的朋友們一同進(jìn)行電梯游戲,此舉卻為他們招來無法挽回的后果……

無瑕修女

西德尼·斯維尼,西蒙納·塔巴斯科,阿爾瓦羅·莫奇,貝內(nèi)黛塔·波爾卡羅利,朵拉·羅馬諾,吉皮耶羅·朱迪卡,喬治·科蘭杰利

  塞西莉亞(西德妮·斯威尼 飾)是一個非常虔誠的修女,她來到意大利鄉(xiāng)間修道院開始新生活,卻在這個幾乎全是女人的地方意外懷孕,原來這里隱藏著黑暗和可怕的秘密。

一個拳手

王一鳴,任珅,梁國榮

拳擊手大卓因意外受傷告別了擂臺,在小區(qū)當(dāng)了一個保安。在照顧患有癡呆癥父親的過程中,大卓漸漸理解了父親多年來對他的愛,父子間童年時的心結(jié)被解開。為彌補(bǔ)父親曾經(jīng)的遺憾,大卓重拾信心,再一次站到了擂臺之上。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

不被愛也沒關(guān)系

南沙良,馬場富美加,本田望結(jié),基俊介,河井青葉,伊島空,池津祥子

本片是一部以大學(xué)生宮田陽彩(南沙良 飾)為主角的“青春逃亡故事”。陽彩一邊上學(xué),一邊從早到晚忙于打工和家務(wù)。雖然母親并未對她施加暴力,但她一直被母親口中的“愛”束縛著,在這種溫柔卻令人窒息的絕望和對人生的失落感中度日。她定期給母親送錢,照顧她,卻始終感受不到真正的自由和幸福。某天,陽彩在打工的地方邂逅了同班同學(xué)江永雅(馬場富美加 飾)。這次相遇,悄然改變了陽彩的人生軌跡。

換皮

瑞貝卡·福斯蒂,露西·阿倫,芭芭拉·克蘭普頓,Sean Knopp,阿德南·馬拉爾

  年輕漂亮的凱拉得了一種奇怪的疾病,她的皮膚開始老化,干裂和瓦解。當(dāng)她發(fā)現(xiàn)她可以用別人的皮膚來替代自己的皮膚時,她必須做出選擇,看著自己的軀體枯萎死亡,還是屈服于誘惑,不管代價(jià)如何。