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維也納戰役
F·默里·亞伯拉罕,恩里克·洛維索,杰茲·斯科利莫夫斯基,艾麗卡·巴赫蕾達-庫魯斯,彼得·亞當奇克,Andrea Iaia,克萊爾·布魯姆,Matteo Branciamore,Marius Chivu,安東尼奧·庫普,喬治·盧帕諾,菲德莉卡·馬丁內莉,詹尼·穆西,達尼爾·奧勒布里斯基,伊莎貝拉·奧爾西尼,波利斯·席克,約爾戈·沃亞吉斯,山內春彥,沃伊切赫·麥克瓦爾達斯基,白蘭度·帕奇托,安吉麗卡·卡琪亞帕格莉亞,馬達林·德拉甘,斯蒂芬·揚庫,Edward Linde-Lubaszenko,Daniel水之年代
伊莫琴·普茨,索拉·伯奇,詹姆斯·貝魯什,湯姆·斯圖里奇,查理·卡里克,杰瑞米·安·瓊斯,厄爾·凱夫,蘇珊娜·弗拉德,米迦勒·埃普,金·戈頓,亞歷山大·約翰遜,埃斯梅·艾倫,安娜·維托夫斯基,安東·利特維諾夫,阿麗娜·利特維諾娃,多米尼克·加布里埃爾·羅塞蒂,哈爾·韋弗,埃莉諾·哈恩,彼得·倫德爾,瑪麗娜·斯尼加看得見時間的男人
余洺軒,郭寬動物本能
古勒莫·法蘭塞拉,卡拉·彼德森,Gloria Carrá,馬塞洛·索比奧托逃離奪命島
克里斯·辛普曼,格蘭特·舒馬赫,詹姆斯·里德爾榮歸1978
簡·方達,喬恩·沃伊特,布魯斯·鄧恩,佩內洛普·米爾福,羅伯特·卡拉丁,羅伯特·金蒂,凱瑟琳·米勒同類推薦
屋中異蛛
艾莉拉·布朗 , 佩內洛普·米契爾 , 瑞安·柯爾 , 希薇婭·克洛卡 , 杰梅因·福勒 , 諾妮·哈澤赫斯 , 羅賓·奈文 , Tony J Black , 阿爾西拉·卡皮奧 , 丹尼·金 , 羅蘭·福爾摩斯內詳暫無簡介
監控錄像
Akaranitimetharat《幽靈人間》:一幢豪華的別墅內,年邁的主人坤桑遇刺身亡。他曾留下遺囑,將房子留給一對連體的雙胞胎姐妹花。但是條件只有一個,姐妹倆必須為祖父首領三天。守靈之夜,怪事頻發,鬼影幢幢,殺機四伏;《第11層天堂》:在名為“Heaven 11”的超市內,開業不到兩個月內,接連4名店員自殺身亡。從收銀臺前的監視器內,可以清楚看到自殺收銀員的身影。所見之人,不寒而栗,死亡詛咒仍在繼續,純情的收銀女孩步入死局;《第八層地獄》 :命運凄慘的女孩在大廈電梯間被粗暴蠻橫的負心漢殘忍殺害。美人香銷玉殞,但冤魂久久不散。電梯間內,血腥的一幕重復上演,輪回不止……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
黑天鵝1942
泰隆·鮑華,瑪琳·奧哈拉,拉爾德·克雷加,托馬斯·米切爾,喬治·桑德斯,安東尼·奎恩,喬治·祖科故事背景設定在16世紀的英國,海盜首領莫根船長(拉爾德·克雷加 Laird Cregar 飾)受到國王查理的特赦,并被任命為牙買加總督。一位年輕而勇敢、機智而英俊的年輕人沃林(泰隆·鮑華 Tyrone Power 飾)決定跟隨莫根船長前往牙買加。然而,莫根過去的下屬、狡猾而殘忍的里奇船長(喬治·桑德斯 George Sanders 飾)卻拒絕接受莫根的領導,繼續在海上進行搶劫商船的行為。為了消滅海盜,沃林率領船隊出海,在航行途中偶然與里奇的“黑天鵝號”,并和其他兩艘船發生了遭遇戰。面臨險境,沃林不得不機智地假裝前來投降并投靠里奇。通過巧妙周旋和激烈戰斗,里奇最終受到了懲罰,他的“黑天鵝號”徹底被摧毀。與此同時,貴族小姐瑪格麗特(瑪琳·奧哈拉 Maureen O'Hara 飾)對沃林從厭惡逐漸轉變為敬佩,最終產生了愛慕之情,展開了一場曲折而離奇的愛情故事。
科洛弗悖論
古古·姆巴塔-勞,大衛·奧伊羅,丹尼爾·布魯赫,約翰·奧提茲,克里斯·奧多德,阿卡塞爾·亨涅,章子怡,伊麗莎白·德比茨基,羅杰·戴維斯,唐納爾·羅格,蘇珊·克萊爾,肯·奧林,西蒙·佩吉,格雷戈·格倫伯格未來,人們對資源的需求越來越大,可是地球上的資源已經不能再滿足人類。于是地球上爆發了資源危機,并險些引發戰爭。唯一能阻止戰爭的只有空間站上的粒子加速器,如果實驗成功,粒子加速器成功運轉,那么它就能讓人們用上源源不斷的資源。可是在一次粒子加速器意外事件后,地球整個消失了,空間站上的宇航員開始試圖弄清楚在他們身上發生了什么。但隨著事情的一點點深入,真相慢慢浮現,更奇怪的事情也隨之出現。