媽媽的朋友們2

? 2.9 播放：92萬(wàn) 2026-04-28
主演：未知

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? 播放 媽媽的朋友們2

劇情提要

暫無簡(jiǎn)介

幕后花絮

火狐

　　蘇聯(lián)在1982年開發(fā)了米格31噴氣機(jī)時(shí)，全世界大為驚恐，唯一對(duì)策只有盜取這架超性能之飛機(jī)，而有能力擔(dān)任此任務(wù)的就只有越戰(zhàn)空中英雄甘德，甘德終于被說服由退休生涯中復(fù)出，接受一連串的特種訓(xùn)練后，前往俄國(guó)并與俄國(guó)特務(wù)數(shù)次交手，展開一場(chǎng)驚心動(dòng)魄的激烈空戰(zhàn)……

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster