給英奇和斯登的信：我們是這樣做愛的

★ 1.1 播放：50萬 更新：2026-04-23
主演：Inge Hegeler Sten Hegeler 

丹麥著名性學(xué)家英奇和斯登收到各地讀者的來信，描述的他們的性生活和性困惑。有對夫妻為了保持興奮，玩醫(yī)生游戲，而有位妻子則邊戴著耳機(jī)聽音樂會讓她更興奮，還有更多的夫妻為了保持性生活的興趣，花樣百出，各種方法都嘗試過了... 　　

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劇情簡介

丹麥著名性學(xué)家英奇和斯登收到各地讀者的來信，描述的他們的性生活和性困惑。有對夫妻為了保持興奮，玩醫(yī)生游戲，而有位妻子則邊戴著耳機(jī)聽音樂會讓她更興奮，還有更多的夫妻為了保持性生活的興趣，花樣百出，各種方法都嘗試過了... 　　

導(dǎo)演精選

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

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