愛(ài)的詭計(jì)
年輕的攝影師貝利專(zhuān)門(mén)為打算與她們的丈夫重燃愛(ài)欲之火的婦女拍攝情色照片。有3個(gè)女人要求他來(lái)拍照。但她們并不知道在堂而皇之的拍照之后還隱藏著.....
劇情簡(jiǎn)介
年輕的攝影師貝利專(zhuān)門(mén)為打算與她們的丈夫重燃愛(ài)欲之火的婦女拍攝情色照片。有3個(gè)女人要求他來(lái)拍照。但她們并不知道在堂而皇之的拍照之后還隱藏著.....
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二狗返鄉(xiāng)記
馬燦燦,李棟,胡雙全,柳秉鈺,梁棟,陶源品性憨直，風(fēng)趣幽默，農(nóng)村吃百家飯長(zhǎng)大的孤兒石二狗，在城市打工意外獲得彩票大獎(jiǎng)五百萬(wàn)，之后，他風(fēng)風(fēng)火火的回到老家，借著酒勁給鄉(xiāng)親們發(fā)錢(qián)，并且還想憑這五百萬(wàn)娶村長(zhǎng)的女兒石金鳳，但是卻遭到石金鳳的嘲笑，于是他發(fā)奮要為老家人民做點(diǎn)大事——修路，將修路的工程包給了金鳳城里的男朋友胡大光，以這樣顯示他的大度并期望博得金鳳的歡喜，可是卻由于經(jīng)驗(yàn)的缺失和文化知識(shí)的不足，被胡大光給蒙混了，手上的錢(qián)都讓胡大光騙走了，連答應(yīng)給村里修小學(xué)的錢(qián)也被騙的一光二凈，二狗又成了一個(gè)身無(wú)分文的窮光蛋。 二狗有錢(qián)的時(shí)候，在眾多人中招聘了韓美華作為村里學(xué)校的老師，現(xiàn)在二狗沒(méi)錢(qián)了，本以為韓美華會(huì)離開(kāi)石頭村，但是由于二狗的善良和執(zhí)著，早已深深的打動(dòng)了美麗聰明的城里女孩韓美華。韓美華利用自己的經(jīng)驗(yàn)和智慧聯(lián)手以前一直瞧不起二狗的村民們，為二狗打贏了官司。最后在韓美華的指引和村民們的幫助下，石二狗憑借自己堅(jiān)韌的毅力，白手起家，帶領(lǐng)百姓發(fā)家致富開(kāi)創(chuàng)了嶄新的事業(yè)。
我的同桌是極品
宋晨,苑喬王元娥（苑喬 飾）一直以來(lái)都深深的愛(ài)慕著名為陳喆的男生，可是，王元娥知道自己非常的普通，和在校園里閃耀著耀眼光芒的陳喆相去甚遠(yuǎn)，所以選擇將這份感情深深的埋藏在心底。單求胥的父親將兒子送進(jìn)了王元娥和陳喆所在的班級(jí)之中，單求胥的目的很簡(jiǎn)單，那就是混到順利畢業(yè)，然后出國(guó)追求自己的自由自在的人生?！ ∫淮闻既恢校踉鸷蛦吻篑阒g爆發(fā)了爭(zhēng)吵，但也正因?yàn)槿绱耍瑔吻篑愕靡宰哌M(jìn)了王元娥的內(nèi)心，發(fā)現(xiàn)了她單純善良的一面，并為此深深著迷?？墒牵踉鸬娜啃乃级紥煸诹岁悊吹纳砩希@讓單求胥非常的苦惱。
眠山怪影
Herbert M. DawleyIn a dream Uncle Jack looks through a magic telescope owned by the ghost of a hermit and sees what life was like millions of years ago, including a battle between prehistoric monsters.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
黑暗崛起
卡特麗娜·洛,拜斯·約翰遜,希瑟·馬祖爾,邁克·沃特福德,Christian GaniereNearly murdered as a child by her mother, a woman (Katrina Law) returns to the house where her mom went mad.
不可饒恕1992
克林特·伊斯特伍德,吉恩·哈克曼,摩根·弗里曼,理查德·哈里斯,杰姆·沃爾福特,紹爾·魯賓內(nèi)克,弗蘭西絲·費(fèi)舍,安娜·萊文,大衛(wèi)·木西,羅伯·坎貝爾,安東尼·詹姆斯,塔拉·弗萊德里克,貝弗利·埃略特,莉薩·雷波-馬特爾,喬西·史密斯堪薩斯的農(nóng)民威廉（克林特·伊斯特伍德 Clint Eastwood ）年輕時(shí)曾是出名的殺手和劫匪，然而當(dāng)遇上了克勞迪亞后，他的生活開(kāi)始徹底改變。威廉和克勞迪亞結(jié)婚生子后，洗手不干，一家人過(guò)著幸福的生活。好景不長(zhǎng)，克勞迪亞不久故去，威廉獨(dú)立帶著兩個(gè)孩子過(guò)著清貧寧?kù)o的生活。 這時(shí)，該地區(qū)發(fā)生了一起牛仔醉酒毆打妓女并將其毀容的惡性事件，壞蛋警長(zhǎng)達(dá)格特（吉恩·哈克曼 Gene Hackman 飾）只將此事草草了結(jié)，兇手仍逍遙法外。當(dāng)?shù)丶伺娂娋桢X(qián)，要求懸紅1000美金請(qǐng)殺手來(lái)伸張正義。“思科菲爾德小子”找到威廉，要求合伙干這票買(mǎi)賣(mài)。為了給孩子們一個(gè)幸福富足的家庭，威廉終于答應(yīng)再次出山。
韓塞爾與葛雷特
千正明,陳智熙,沈恩敬,殷元在因母親染病，青年李恩洙（千正明 飾）驅(qū)車(chē)向家中趕去，但中途遭遇車(chē)禍，翻到路邊。當(dāng)他從昏迷中醒來(lái)時(shí)，發(fā)現(xiàn)眼前站著一個(gè)有如天使般的女孩子（沈恩京 飾）。在這個(gè)名叫英姬的女孩的引導(dǎo)下，恩洙隨之來(lái)到了女孩位于密林深處的家。那是一幢宛如從童話(huà)書(shū)中出來(lái)的夢(mèng)幻而華美的大房子，家中擺放著各種各樣精巧可愛(ài)的飾品。這里住著英姬、她的父母、哥哥萬(wàn)福（殷元宰 飾）以及妹妹貞順（陳智熙 飾）。疲勞疼痛的恩洙起初并未察覺(jué)絲毫一樣，可是他很快便發(fā)現(xiàn)，如此美好的童話(huà)所在竟成為永遠(yuǎn)無(wú)法逃離的樊籬…… 本片榮獲2009年葡萄牙奇幻國(guó)際電影節(jié)評(píng)委會(huì)特別獎(jiǎng)。