偷窺無(wú)罪3：絕色網(wǎng)吧

? 6.7 播放：18萬(wàn) 2026-04-27

Ivan本來(lái)是一名電腦員，但在泡沫經(jīng)濟(jì)爆破丅，頓成為失業(yè)大軍，最后開(kāi)了一間「絕色網(wǎng)吧」，誰(shuí)知，前來(lái)光顧之人客，十之八九也以為Ivan的網(wǎng)吧是個(gè)色場(chǎng)所，網(wǎng)吧半點(diǎn)生意也沒(méi)有，包租婆前來(lái)督促I(mǎi)van之欠租，此時(shí)一名時(shí)常到網(wǎng)吧的釹子Carol突然為Ivan接了一名人客，將人客招呼得慾仙慾死，除;基本服務(wù)費(fèi)暫無(wú)內(nèi)容外，還打賞了一仟大元給Carol，令I(lǐng)van終於有了第一單生意，更渡過(guò)欠租危機(jī)!Ivan將網(wǎng)吧改為色網(wǎng)吧，更招務(wù)大量少釹來(lái)網(wǎng)吧工作，面試期間，Ivan發(fā)掘了奶妹、圓圓兩名少釹，引來(lái)許多人客光顧，Ivan更在一個(gè)月賺個(gè)滿(mǎn)堂紅之時(shí)，Carol三人卻互相內(nèi)鬨，令I(lǐng)van之「絕色網(wǎng)吧」面臨結(jié)業(yè)危機(jī)......

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劇情提要

Ivan本來(lái)是一名電腦員，但在泡沫經(jīng)濟(jì)爆破丅，頓成為失業(yè)大軍，最后開(kāi)了一間「絕色網(wǎng)吧」，誰(shuí)知，前來(lái)光顧之人客，十之八九也以為Ivan的網(wǎng)吧是個(gè)色場(chǎng)所，網(wǎng)吧半點(diǎn)生意也沒(méi)有，包租婆前來(lái)督促I(mǎi)van之欠租，此時(shí)一名時(shí)常到網(wǎng)吧的釹子Carol突然為Ivan接了一名人客，將人客招呼得慾仙慾死，除;基本服務(wù)費(fèi)暫無(wú)內(nèi)容外，還打賞了一仟大元給Carol，令I(lǐng)van終於有了第一單生意，更渡過(guò)欠租危機(jī)!Ivan將網(wǎng)吧改為色網(wǎng)吧，更招務(wù)大量少釹來(lái)網(wǎng)吧工作，面試期間，Ivan發(fā)掘了奶妹、圓圓兩名少釹，引來(lái)許多人客光顧，Ivan更在一個(gè)月賺個(gè)滿(mǎn)堂紅之時(shí)，Carol三人卻互相內(nèi)鬨，令I(lǐng)van之「絕色網(wǎng)吧」面臨結(jié)業(yè)危機(jī)......

幕后花絮

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

留存的愛(ài)

影片以一年四季為時(shí)間軸，講述一個(gè)冰島家庭在父母分居期間的生活。女主人公安娜是位視覺(jué)藝術(shù)家，剛失去工作室的她開(kāi)始在戶(hù)外創(chuàng)作。她的丈夫馬格努斯是名漁夫，常年在海上作業(yè)，卻拒絕接受婚姻已走到盡頭的事實(shí)，不斷回到曾經(jīng)的家中。