即刻觀影
劇情賞析
編輯推薦
一條道走到黑
甄偉,石峰,陸明明,古麗米熱艾尼瓦爾,禹帆,德吉次仁,李書雅,蔣雯旭,米熱,于山川一個三十多歲的男子在大城市謀生，為了走出混亂的生活，無意識地想象出一個幻想與現(xiàn)實(shí)并存的世界。
暗魔怨
彼得·費(fèi)辛利,索菲婭·邁爾斯,娜塔莉亞·羅蒙絲,卡羅利娜·格拉,胡安·巴勃羅·甘博亞大衛(wèi)（彼得·費(fèi)辛利 Peter Facinelli 飾）的妻子英年早逝，之后他遇見了名為勞倫（索菲亞·邁爾斯 Sophia Myles 飾）的女子，兩人墜入了情網(wǎng)，勞倫讓大衛(wèi)重新找到了人生的希望和目標(biāo)。大衛(wèi)和前妻生養(yǎng)了一個女兒取名吉爾（娜塔莉亞·羅蒙絲 Nathalia Ramos 飾），正直叛逆期的她獨(dú)自居住在哥倫比亞。 某日，大衛(wèi)和勞倫踏上前往哥倫比亞的旅途探望女兒，可在途中竟然遭遇了車禍。兩人在暴雨之中找到了一間破舊的旅館棲身，卻在無意之中聽見旅館的地下室里傳來年輕女孩的呼救之聲。正義和道德驅(qū)使大衛(wèi)決定解救這名可憐的女孩，卻不知道他的這一行為將在場的所有人推入了萬劫不復(fù)的深淵之中。
初始者
什恩·卡魯斯,大衛(wèi)·蘇利文,卡西·古登,Anand Upadhyaya,Carrie Crawford,Jay Butler,John Carruth,Juan Tapia,Ashley Warren,Samantha Thomson,Chip Carruth,Delaney Price,Jack Pyland,Keith Bradshaw,Ashok Upadhyaya,Brandon Blagg,Jon Cook,David Joyner,Eric De Soualhat獲得第24屆圣丹斯電影節(jié)劇情片類評委會大獎的《雷管》，講述的是四位合作者出于興趣發(fā)明了一臺查錯儀器，卻意外地發(fā)現(xiàn)這臺儀器擁有強(qiáng)大的商業(yè)價值，最終四人相互爭斗的局面。《雷管》是導(dǎo)演什恩-卡魯斯(ShaneCaruth)首次執(zhí)導(dǎo)的劇情長片，該片由他自己投資，并身兼編劇、導(dǎo)演、主演數(shù)職，體現(xiàn)出獨(dú)立電影的“DIY”精神。另外，令人津津樂道的是該片不足7000美元的超低制作成本，只相當(dāng)于一輛富康車的價錢……
黑蜥蜴1962
京町子,大木實(shí),川口浩,葉順子,三島雅夫,目黒幸子,中條靜夫,久里千春亂步作品
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
切勿擅動
唐·錢德爾,本尼西奧·德爾·托羅,馬特·達(dá)蒙,大衛(wèi)·哈伯,布蘭登·費(fèi)舍,諾亞·尤佩,茱莉婭·福克斯,基南·卡爾金,克雷格·穆姆斯·格蘭特,艾米·西米茨,弗蘭西斯·肖,喬恩·哈姆,Tina Gloss,雷·利奧塔,拜倫·鮑爾斯,比爾·杜克,Lucy Holt,Katherine Banks,Claudia Russell,Lauren Rys Martin一群犯罪分子在神秘的環(huán)境下被聚集在一起，當(dāng)他們簡單的工作完全出現(xiàn)偏差時，他們不得不一起努力去揭開到底發(fā)生了什么。