昭和裸性門
大正時代,侯爵桂川實篤(長弘 飾)在金融界聲名顯赫,備受敬仰。雖則如此風光,只嘆膝下無子。不顧妻子綾子(絵沢萠子 飾)的反對,實篤強行納保鏢藤堂貞之助(江角英明 飾)的戀人戶田忍(梢ひとみ 飾)為妾。此后不久,阿忍產下一對龍鳳胎。實篤將男孩留下,取名浩義,女孩則由親生母親帶走,從此杳無音訊。 19年后,藤堂接到來自阿忍的書信,匆匆趕去時發現當年的戀人已經奄奄一息。他接受了阿忍的囑托,擔負起照顧她女兒鏡子(梢ひとみ 飾)的重任。鏡子如母親一般美麗,但她反而想墮入妓寨。藤堂實在無法阻攔,鏡子的人生與情感悲劇由此注定 hellip; hellip;
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劇情簡介
大正時代,侯爵桂川實篤(長弘 飾)在金融界聲名顯赫,備受敬仰。雖則如此風光,只嘆膝下無子。不顧妻子綾子(絵沢萠子 飾)的反對,實篤強行納保鏢藤堂貞之助(江角英明 飾)的戀人戶田忍(梢ひとみ 飾)為妾。此后不久,阿忍產下一對龍鳳胎。實篤將男孩留下,取名浩義,女孩則由親生母親帶走,從此杳無音訊。 19年后,藤堂接到來自阿忍的書信,匆匆趕去時發現當年的戀人已經奄奄一息。他接受了阿忍的囑托,擔負起照顧她女兒鏡子(梢ひとみ 飾)的重任。鏡子如母親一般美麗,但她反而想墮入妓寨。藤堂實在無法阻攔,鏡子的人生與情感悲劇由此注定 hellip; hellip;
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米婭·麥肯納·布魯斯,馬特·狄龍,伊薩赫·德·班克爾風雪飄搖
王宇,伊日貴,其那日圖,鋼特木爾,趙思芮,熬爾,巴音逃出食人農場
Kate Marie Davies,Barrington De La Roche,David Lenik,Rowena Bentley,Toby Wynn-Davies,Peter Cosgrove,Joe Street,Dylan Curtis,Sam Lane,Jackson Wright,Kate Llewellyn,Adam J. Morgan,Tim J. Henley,Harrison Nash,Jack Miller維克多·弗蘭肯斯坦
詹姆斯·麥卡沃伊,丹尼爾·雷德克里夫,杰西卡·布朗·芬德利,安德魯·斯科特,馬克·加蒂斯,露易絲·布瑞麗,丹尼爾·梅斯,弗萊迪·福克斯,布隆森·韋伯,埃利斯戴爾·皮特里,斯賓塞·懷爾丁,卡勒姆·特納任務迷走72小時
魯克·高斯,博基姆·伍德拜因,路易·曼迪勒,馬克·可汗,萊昂納德·凱利-揚,海瑟·洛普,布魯克·紐頓,羅伯特·菲茨杰拉德·迪格斯,雷弗·甘特沃特遇見惡魔
塞繆爾·杰克遜,萊絲莉·比伯,盧克·威爾遜,佩頓·利斯特,翠茜·索姆斯,李·瑞恩導演精選
神犬查利
A dog gains superpowers after his is abducted by aliens. Together they battle an evil cat threatening humanity while the dog becomes a famous superhero.
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
魔鬼名校
Assigned by the professor, 5 senior university students were invited to the old mansion belongs to ML.Salukjit, an old elite who welcomes them with her weird attitude. Before the decision to leave or stay has been made, ML.Salukjit terrifies them and reveals her demonic power.