靈與欲

? 3.4 播放：86萬(wàn) 2026-04-27
主演：李莉莉 舒淇 

高爾夫球王子高云天因公司出現(xiàn)危機(jī)，準(zhǔn)備出shou股份，偏偏與商界女強(qiáng)人珍妮發(fā)生爭(zhēng)執(zhí)，珍妮對(duì)云天心生好感，于是暗中打壓他的經(jīng)濟(jì)來(lái)源，在他經(jīng)濟(jì)濟(jì)入困境時(shí)珍妮便要求云天做她的情人。此時(shí)，云天的兒子查理帶同女友莎莎前來(lái)采訪他，其實(shí)自少莎莎便很崇拜云大，借著這次專(zhuān)訪欲色誘云大，但此事遭珍妮所識(shí)破，兩人因此爆發(fā)出連串明爭(zhēng)暗斗。

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劇情提要

高爾夫球王子高云天因公司出現(xiàn)危機(jī)，準(zhǔn)備出shou股份，偏偏與商界女強(qiáng)人珍妮發(fā)生爭(zhēng)執(zhí)，珍妮對(duì)云天心生好感，于是暗中打壓他的經(jīng)濟(jì)來(lái)源，在他經(jīng)濟(jì)濟(jì)入困境時(shí)珍妮便要求云天做她的情人。此時(shí)，云天的兒子查理帶同女友莎莎前來(lái)采訪他，其實(shí)自少莎莎便很崇拜云大，借著這次專(zhuān)訪欲色誘云大，但此事遭珍妮所識(shí)破，兩人因此爆發(fā)出連串明爭(zhēng)暗斗。

幕后花絮

比佛利拜金狗

　　克洛伊（德魯·巴里摩爾 Drew Barrymore 配音）是比佛利山的一只吉娃娃狗，被寵壞了的它生活極其奢侈。主人薇薇姑媽?zhuān)ń苊住だ睢た碌偎?Jamie Lee Curtis 飾）要出遠(yuǎn)門(mén)，把照顧克洛伊的任務(wù)交給了安吉拉（愛(ài)莉·希爾斯 Ali Hillis 飾）。安吉拉帶著克洛伊和朋友們一起去墨西哥的海灘旅行。來(lái)到海灘， 姑娘們立即被健碩英俊的小伙子們吸引了，而克洛伊則在安吉拉的“重色輕狗”下，走失于碩大的墨西哥城中。那些簡(jiǎn)陋的街道看起來(lái)跟比佛利山大相徑庭。無(wú)奈之下，克洛伊只得求助于一些新朋友，包括一只經(jīng)歷復(fù)雜的德國(guó)牧羊犬戴戈多（安迪·加西亞 Andy Garcia 飾），和一只多情的小狗帕皮（喬治·洛佩茲 George Lopez 飾），克洛伊在它們的幫助下，振作精神找尋回家的路......

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.