赤裸的謊言
FBI暫無內(nèi)容agent暫無內(nèi)容Cara暫無內(nèi)容Landry暫無內(nèi)容is暫無內(nèi)容sent暫無內(nèi)容on暫無內(nèi)容an暫無內(nèi)容undercover暫無內(nèi)容assignment暫無內(nèi)容to暫無內(nèi)容gather暫無內(nèi)容evidence暫無內(nèi)容on暫無內(nèi)容Damian暫無內(nèi)容Medina,暫無內(nèi)容a暫無內(nèi)容Mexican暫無內(nèi)容casino暫無內(nèi)容owner暫無內(nèi)容running暫無內(nèi)容a暫無內(nèi)容counterfeiting暫無內(nèi)容operation暫無內(nèi)容for暫無內(nèi)容the暫無內(nèi)容Cali暫無內(nèi)容drug暫無內(nèi)容cartel.暫無內(nèi)容With暫無內(nèi)容virtually暫無內(nèi)容no暫無內(nèi)容backup,暫無內(nèi)容Cara's暫無內(nèi)容only暫無內(nèi)容way暫無內(nèi)容to暫無內(nèi)容accomplish暫無內(nèi)容her暫無內(nèi)容mission,暫無內(nèi)容and暫無內(nèi)容stay暫無內(nèi)容alive,暫無內(nèi)容is暫無內(nèi)容lure暫無內(nèi)容Medina暫無內(nèi)容into暫無內(nèi)容a暫無內(nèi)容false暫無內(nèi)容sense暫無內(nèi)容of暫無內(nèi)容security暫無內(nèi)容and暫無內(nèi)容stay暫無內(nèi)容a暫無內(nèi)容step暫無內(nèi)容ahead暫無內(nèi)容of暫無內(nèi)容his暫無內(nèi)容suspicious暫無內(nèi)容underlings.
即刻觀影
劇情賞析
編輯推薦
機(jī)械姬
艾麗西亞·維坎德,多姆納爾·格里森,奧斯卡·伊薩克,水野索諾婭,克里·約翰遜,Claire Selby,Symara A. Templeman,嘎娜·巴亞爾賽汗,Tiffany Pisani,伊蓮娜·艾爾米納斯,李仙湖,黛博拉·羅桑,喬安娜·希雅,艾薇·維效力于某知名搜索引擎公司的程序員加利·史密斯（多姆納爾·格利森 Domhnall Gleeson 飾）幸運地抽中老板納森（奧斯卡?伊薩克 Oscar Isaac 飾）所開出的大獎，他將受邀前往位于深山的別墅中和老板共度假期。在與世隔絕的別墅中，納森親切地接待了這位員工。 事實上他邀請加利到來還有另一個目的，那就是協(xié)助他完成其所開發(fā)的智能機(jī)器人的測試。天才一般的納森研制了具有獨立思考能力的智能機(jī)器人伊娃（艾麗西亞·維坎德 Alicia Vikander 飾），為了確認(rèn)她是否具有獨立思考的能力，他希望加利能為伊娃進(jìn)行著名的“圖靈測試”。似乎從第一眼開始，加利便為這臺有著宛如人類般姣好容顏的機(jī)器人所吸引。 在隨后的交流中，他所面對的似乎不是冷冰冰的機(jī)器，而更像是一個被無辜囚禁起來的可憐少女……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
弗蘭肯斯坦的新娘
Sev Philippou,Nick Launchbury,Vincent Donato在弗蘭肯斯坦怪物結(jié)婚的那天，村民們暴動并殺死了他。他的新娘逃跑了，發(fā)誓要報復(fù)負(fù)責(zé)的市民，并最終復(fù)活了怪物——在她身后留下了血跡。
守護(hù)者2025
塔提阿娜·瑪斯拉尼,羅西弗·薩瑟蘭,伯克特·圖爾頓,艾琳·博伊斯,泰絲·登根斯坦,克萊爾·福萊森,克里斯汀·帕克,洛根·皮爾斯,艾拉·韋杰爾,格倫·戈登,伊芙琳·伯克,吉娜·武爾塔焦,艾琳·蒂普爾一對愛侶Liz和Malcolm去到一座偏僻的小屋度假，Malcolm卻因意外先回城了，留下Liz獨自一人，她很快發(fā)現(xiàn)這座小屋有著邪惡可怕的過去，如今纏上了自己。
這個阿爸真爆炸
梁家輝,蔡卓妍,關(guān)智斌任慕英（梁家輝 飾）是一個單親爸爸，以教授鋼琴來撫養(yǎng)女兒Ellen（蔡卓妍 飾）長大。可是女兒升上Band 5后就變得越來越不聽話，令任慕英十分擔(dān)心。Ellen一直覺得爸爸十分“娘娘腔”，覺得自己就算有什么麻煩，爸爸也是不可靠的人。Ellen的同學(xué)都誤會了她的爸爸是個江湖高手——慕夜飛鷹，相繼要求拜為師傅，此時Ellen才對爸爸改觀。但任慕英被誤以為是絕招的身手，不過是在照顧女兒的時候練出來的。 女兒開始覺得爸爸老了，可她還是到處惹禍，更被慕夜飛鷹的仇家脅持，任慕英為了救回女兒，獨自女兒被困的地方……
北逃
索利曼·克魯茲,Niko Becker,巴特·金戈納,Alexandre Nguyen,Olivier Ho Hio Hen,Dimitar Vasilev,Noel Sto. Domingo,Olivier Chen,Baldo Gueye,Mahamat Amine Benrachid,Stefan CojocaruBased on a true story. 1996, open sea. During his shift on a transatlantic ship’s deck, Joel, a religious Filipino sailor, discovers Dumitru, a Romanian stowaway hidden between some containers. If he is spotted by the Taiwanese officers running the vessel, Dumitru is at risk to be thrown overboard. Joel decides to hide him, as a sign of his gratitude towards God. Soon, a dangerous cat and mouse game begins. When his crew, his own friends, even God itself start to turn their backs on him, Joel learns that he has to face his cruel destiny alone.