孽海親情
畜生的父親和自己親生骨肉的悲劇影片,一部氣氛悲郁的中世紀(jì)文藝杰作,故事講述英法百年大戰(zhàn)期間,弗朗索瓦殺死了母親的情人后出走。25年后他返回城堡,跟自己女兒發(fā)生了亂論關(guān)系。
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邁克爾·克雷格,瓊·格林伍德同類(lèi)精選
重慶森林
林青霞,金城武,梁朝偉,王菲,周嘉玲真心話大冒險(xiǎn)2017
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琳娜·海蒂,理查德·詹金斯,米歇爾·鄧肯,烏爾里奇·湯姆森,梅爾維爾·珀波,阿斯?fàn)枴ぜ~曼吐司機(jī)大危機(jī)
拉吉·庫(kù)瑪,桑亞·瑪荷塔,阿布舍克·班納吉,法拉·可汗,阿查娜·普蘭·辛格,西瑪·帕瓦,厄潘德拉·莉瑪依,吉滕德拉·定司,Karamveer Choudhary,Dev Raaz大怪獸加美拉
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神秘島
邁克爾·克雷格,瓊·格林伍德During the US Civil War, Union POWs escape in a balloon and end up stranded on a South Pacific island, inhabited by giant plants and animals. They must use their ingenuity to survive the dangers, and to devise a way to return home. Sequel to '20,000 Leagues Under the Sea' . Written by Stewart M. Clamen
無(wú)瑕修女
西德尼·斯維尼,西蒙納·塔巴斯科,阿爾瓦羅·莫奇,貝內(nèi)黛塔·波爾卡羅利,朵拉·羅馬諾,吉皮耶羅·朱迪卡,喬治·科蘭杰利塞西莉亞(西德妮·斯威尼 飾)是一個(gè)非常虔誠(chéng)的修女,她來(lái)到意大利鄉(xiāng)間修道院開(kāi)始新生活,卻在這個(gè)幾乎全是女人的地方意外懷孕,原來(lái)這里隱藏著黑暗和可怕的秘密。
人工情報(bào)
趙寅成,樸正民,樸解浚,申世景韓國(guó)國(guó)情院特工趙科長(zhǎng),奉命追查跨國(guó)犯罪集團(tuán),循著犧牲情報(bào)員的線索前往俄羅斯符拉迪沃斯托克,意外與朝鮮特工樸健狹路相逢。兩人圍繞核心情報(bào)源蔡善花展開(kāi)博弈,卻同時(shí)被各自國(guó)家拋棄,被迫在忠誠(chéng)、背叛與生死之間,聯(lián)手揭開(kāi)邊境諜戰(zhàn)的驚天黑幕。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.