人妻家庭教師

★ 5.0 播放：83萬(wàn) 更新：2026-04-24

因丈夫的調(diào)動(dòng)而辭去了中學(xué)教師，成為了專職主婦的吉田塔子在某一天和原學(xué)生片桐亙相遇。初中生的時(shí)候很畏縮不前的亙也成了高中生，努力學(xué)習(xí)。在這樣的亙古里，塔子只在暑假期間被委托家庭教師。是久違地工作的塔子。馬上去了亙的家，就被介紹父親憲一。憲一是一家建有創(chuàng)作日式料理店的廚師，在家也會(huì)做菜。做了憲一親手做的料理的塔子對(duì)那個(gè)技術(shù)很感激，不經(jīng)意地告訴了他料理。在商店的廚房里，塔子和憲一在商店的廚房里縮短了距離。聽(tīng)了，憲一和職業(yè)志向的妻子擦肩而過(guò)，塔子和丈夫的對(duì)話最近變得不起勁了。為了使夫妻之間發(fā)生的間隙用新的相遇和刺激來(lái)填補(bǔ)，兩人終于結(jié)下了身體的關(guān)系。不知道父親和家庭教師的不倫關(guān)系的亙熱心地努力學(xué)習(xí)…

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劇情簡(jiǎn)介

因丈夫的調(diào)動(dòng)而辭去了中學(xué)教師，成為了專職主婦的吉田塔子在某一天和原學(xué)生片桐亙相遇。初中生的時(shí)候很畏縮不前的亙也成了高中生，努力學(xué)習(xí)。在這樣的亙古里，塔子只在暑假期間被委托家庭教師。是久違地工作的塔子。馬上去了亙的家，就被介紹父親憲一。憲一是一家建有創(chuàng)作日式料理店的廚師，在家也會(huì)做菜。做了憲一親手做的料理的塔子對(duì)那個(gè)技術(shù)很感激，不經(jīng)意地告訴了他料理。在商店的廚房里，塔子和憲一在商店的廚房里縮短了距離。聽(tīng)了，憲一和職業(yè)志向的妻子擦肩而過(guò)，塔子和丈夫的對(duì)話最近變得不起勁了。為了使夫妻之間發(fā)生的間隙用新的相遇和刺激來(lái)填補(bǔ)，兩人終于結(jié)下了身體的關(guān)系。不知道父親和家庭教師的不倫關(guān)系的亙熱心地努力學(xué)習(xí)…

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 1920年，英國(guó)總督斯科特和他的妻子凱瑟琳訪問(wèn)阿迪拉巴德的一個(gè)部落，并強(qiáng)行帶走了部落里歌唱天賦異稟的小女孩瑪莉，部落的保護(hù)者比姆（小老虎 飾演）為了救回瑪莉，偽裝成穆斯林。斯科特得知消息后，總督府的底層衛(wèi)兵拉朱（拉姆·查蘭·特哈 飾演）為了升職也同時(shí)為了完成他父親遺愿和他對(duì)部落承諾，主動(dòng)請(qǐng)?jiān)缸约嚎梢詫⒈饶反丁１饶泛屠煲蚬餐攘艘粋€(gè)差點(diǎn)葬身火海的小男孩而巧遇，他們并不認(rèn)識(shí)對(duì)方，然而兩人也隱藏了自己的真實(shí)身份，相互聯(lián)系，成為摯友。拉朱在一次調(diào)查中發(fā)現(xiàn)自己的摯友就是總督要逮捕的比姆，他一邊是承載了父親的遺愿和整個(gè)部落的承諾，一邊是自己的摯友，他該如何抉擇…..

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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