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劇情提要
電影別名:Gigolo Club 林志永中學(xué)畢業(yè)后,被慫恿在;鴨店做;鴨。經(jīng)過鴨店老板娘葉玉貞、主任葉綺媚的考試,林牽強(qiáng)合格,開始各種各類的變態(tài)xing虐待生涯。 林有一熟客丘淑晶甚富有,乃富商羅鴻榮的黑市夫人。晶介紹林認(rèn)識(shí)羅的獨(dú)生女羅美梨,計(jì)劃日后謀其家產(chǎn)。 在林跟美梨的婚禮上,晶帶領(lǐng)林過往所有客人前來,當(dāng)眾揭穿林的身份及其目的。林的美夢(mèng)馬上打破
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好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster