女教師日記 被禁止的性

? 9.1 播放：15萬 2026-04-27
主演：中田秀夫 

安達充（川名浩介暫無內容飾）是一個正在讀高三的學生，他學習優秀，容貌清秀，不過因性格內向鮮少朋友。充的心中藏著不為人知的秘密，他深深愛戀著自己的級任老師堀田紀子（大竹一重暫無內容飾）。這份感情無法自已，他甚至經常打去匿名電話向老師表達愛意。然而紀子對這樣的騷擾不勝其煩，此外她早已和同校的體育老師森本（沖田浩之暫無內容飾）相愛，情深意篤。目睹了紀子與森本約會并歡愛的場景，充心中倍感痛苦。另一方面，暗戀充的同班女孩矢崎由美（澤木麻美暫無內容飾）與好友們打賭，設計引誘森本。此舉令森本和紀子的關系出現裂痕，而充則借此走入夢中情人的心房。一段充滿哀傷氣息的禁忌之戀由此展開……

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? 播放 女教師日記 被禁止的性

劇情提要

安達充（川名浩介暫無內容飾）是一個正在讀高三的學生，他學習優秀，容貌清秀，不過因性格內向鮮少朋友。充的心中藏著不為人知的秘密，他深深愛戀著自己的級任老師堀田紀子（大竹一重暫無內容飾）。這份感情無法自已，他甚至經常打去匿名電話向老師表達愛意。然而紀子對這樣的騷擾不勝其煩，此外她早已和同校的體育老師森本（沖田浩之暫無內容飾）相愛，情深意篤。目睹了紀子與森本約會并歡愛的場景，充心中倍感痛苦。另一方面，暗戀充的同班女孩矢崎由美（澤木麻美暫無內容飾）與好友們打賭，設計引誘森本。此舉令森本和紀子的關系出現裂痕，而充則借此走入夢中情人的心房。一段充滿哀傷氣息的禁忌之戀由此展開……

幕后花絮

克里斯蒂

　　影片講述美國著名拳擊運動員、“女洛奇”克里斯蒂·馬丁的故事。克里斯蒂來自美國西弗吉尼亞州小鎮一個相對保守的家庭，當時她作為一個年輕的女同性戀者不被允許做自己，所以用拳擊作為表達自己和憤怒的工具。她必須在生活中做出一些危險而根本的妥協，其中最嚴重的是嫁給一個極其危險的男人。　　1989年，馬丁遇到了她的經紀人、后來的丈夫吉姆·馬丁，生活發生了轉變。她打破界限，成為第一個與金牌拳擊推廣人唐·金簽約的女性，也是唯一一個登上《體育畫報》封面的女拳擊手。　　克里斯蒂的魅力、漂亮外表和對賽場的適應為她贏得了狂熱的粉絲群，并推動她成為次中量級冠軍。但在精心塑造的公眾形象背后，她面臨著個人內心的惡魔、有毒的人際關系以及一次致命的謀殺事件。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.