即刻觀影
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血腥老虎:沖突開始
魯格曼·哈菲茲,本·阿米爾,阿馬爾·阿爾菲安警官哈金臥底潛入紅虎幫,并成功贏得該幫派的信任。他不僅成功揭露了他們的罪行,還必須直面這些殘暴的罪犯。然而,他遭遇背叛,陷入道德困境,在不為人知的情況下為維護(hù)正義而戰(zhàn),他的忠誠度也受到了考驗。
無瑕修女
西德尼·斯維尼,西蒙納·塔巴斯科,阿爾瓦羅·莫奇,貝內(nèi)黛塔·波爾卡羅利,朵拉·羅馬諾,吉皮耶羅·朱迪卡,喬治·科蘭杰利塞西莉亞(西德妮·斯威尼 飾)是一個非常虔誠的修女,她來到意大利鄉(xiāng)間修道院開始新生活,卻在這個幾乎全是女人的地方意外懷孕,原來這里隱藏著黑暗和可怕的秘密。
狼蛛
約翰·艾加爾,里奧.G.卡羅爾,克林特·伊斯特伍德本片是美國50年代一部優(yōu)秀的科幻片。導(dǎo)演Jack Arnold運(yùn)用特效,讓一只小小的蜘蛛在銀屏上變成一只體形龐大的塔蘭圖拉毒蛛。影片中的塔蘭圖拉毒蛛是一只十分可怕的怪獸,它四處破壞,但始終免不了滅亡的命運(yùn)。 經(jīng)典科幻片,強(qiáng)烈推薦!
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
遠(yuǎn)山淡影2025
廣瀨鈴,二階堂富美,吉田羊,卡米拉·愛子,松下洸平,三浦友和,柴田理惠,渡邊大知,鈴木碧櫻1982年,英國。一位年輕有抱負(fù)的日英混血作家準(zhǔn)備書寫其母親——1952年,英國。戰(zhàn)后移英的日本婦人悅子,因長女自殺而憶起在長崎的最后一段時光。悅子與婦人幸子相遇,幸子也準(zhǔn)備和女兒出國,對新生活翹首以待。然而,作家在拼湊線索及母親的記憶碎片時,漸漸發(fā)現(xiàn)母親的記憶與現(xiàn)實相左.…..石川慶改編諾貝爾文學(xué)獎得主石黑一雄早年同名原著,雙線刻劃戰(zhàn)后女性掙扎求存之境,表面平靜實質(zhì)波瀾不休,折射出大時代下壓抑而沉重的集體記憶與痛苦。
害蟲2023
西奧·克里斯廷,索菲婭·勒薩弗爾,杰羅姆·尼爾,麗莎·尼亞科,費(fèi)尼肯·歐菲爾德,Marie-Philomène Nga,馬哈瑪?shù)隆どYだ?阿卜杜拉·蒙迪,Ike Zacsongo,埃馬紐埃爾·博納米,Xing Xing Cheng,Samir Nait,Malik Amraoui,Lehcem Mahidi,Nasser Mehal,Abdelkader Bounoir,Karim Daoues,Christine Kay,斯蒂芬·馬拉瑟內(nèi),Aicha Ameddah孤獨(dú)青年在住宅大樓自設(shè)昆蟲館,把各種昆蟲和爬蟲類視為寵物,蝎子蜈蚣愛不釋手。新寵兒是一只外來蜘蛛,暫時給它一個安樂窩,只是掌上明蛛求生欲強(qiáng),它要逃離禁室,不斷繁衍。后代變種奪命巨蛛,大樓到處結(jié)滿蛛網(wǎng),居民陷入一片恐慌。基于公眾安全理由,警方封鎖現(xiàn)場所有出口,死里逃生更是難上加難。凡尼切克首部長片,直視無孔不入的致命威脅,觸及社會的階級歧視,勾起封城恐懼,善用特效與場景空間,拍出令人毛骨悚然血壓狂飚的蛛殺危機(jī)。