即刻觀影
劇情賞析
編輯推薦
拼圖殺機(jī)
池承炫,李世美,姜其永,楊明憲,英健,方秀衡,姜多賢,宋東煥,元賢俊,???,趙潤鎬擁有一切的男子都俊，妻子和小孩都在國外生活，也因此他的疑心病變得更重了。某日他一個(gè)人喝完酒徘徊時(shí)，遇到了一位謎樣的女子世蓮，陷入她的魅力之中的都俊也因此卷入了某起事件……
恐怖故事3：火星來的少女
任瑟雍,景收真,樸正民,洪恩熙由連續(xù)并相互構(gòu)陷的恐怖元素和花絮構(gòu)成。此次《恐怖故事3》跨越時(shí)間將故事呈現(xiàn)，“過去”設(shè)置在恐怖故事“狐貍窟”，“現(xiàn)在”聚焦在路怒癥Road Rage，“未來”段落圍繞人工智能“機(jī)械力”。向觀眾展現(xiàn)不同的元素，釋放不同恐怖刺激時(shí)本片的內(nèi)容和目標(biāo)。
觀光路線
喬什·杜哈明,丹·福勒,米勒克爾·勞麗,Christie Burson,彼得·邁克爾·戈茨一對老友在公路旅行中被困沙漠，屢次求助無門酷暑難擋使他們暴力相向。
驚奇隊(duì)長
布麗·拉爾森,裘德·洛,塞繆爾·杰克遜,本·門德爾森,安妮特·貝寧,麥肯娜·格瑞絲,克拉克·格雷格,嘉瑪·陳,李·佩斯,杰曼·翰蘇,拉什納·林奇,阿基拉·阿克巴,科林·福特,卓庫·莫度,肯內(nèi)特·米歇爾,羅伯特·卡辛斯基,詹姆斯·莫里森,皮特·普勞澤克,馬修·馬希爾,安東尼·莫利納利,馬修·弗林·貝羅斯,加斯頓·達(dá)爾莫,亞當(dāng)·哈特,馬克·多爾蒂,雷尼爾·魯菲諾,約翰·蓋蒂爾,斯坦·李,克里斯·埃文斯,斯嘉麗·約翰遜,馬克·魯弗洛,唐·錢德爾在圍剿斯克魯人的戰(zhàn)斗中，克里人星際戰(zhàn)隊(duì)成員弗斯（布麗·拉爾森 Brie Larson 飾）不幸成為對方的俘虜。斯克魯人嘗試探究弗斯的記憶，最終發(fā)現(xiàn)連弗斯本人都不知道的一段往事，進(jìn)而也得知名為溫迪?勞森博士的女子掌握著他們急于得到的時(shí)空引擎。趁對方不備，擁有強(qiáng)大超能力的弗斯擺脫束縛，逃到了代號(hào)為C-53的地球，而這里也正是她那段失落的記憶的發(fā)生地。未過多久，神盾局探員弗瑞特工（塞繆爾·杰克遜 Samuel L. Jackson 飾）找上門來，而緊隨其后的斯克魯人更是引發(fā)了地球人前所未見的大騷動(dòng)?！ ≡谶@一過程中，弗瑞特工意識(shí)到事態(tài)的嚴(yán)重性，并且?guī)椭ニ拐J(rèn)清本來的自己。倔強(qiáng)的弗斯，終于找到了真正需要保護(hù)的東西……
惡靈重喪
Joshua Suherman,Irsyadillah,Annette Edoarda5個(gè)寄養(yǎng)兄弟姐妹團(tuán)聚回憶，突然經(jīng)歷了一場災(zāi)難。最小的妹妹無法得救。事故發(fā)生后，四個(gè)兄弟姐妹被最小的妹妹嚇壞了。靈媒說，小妹妹不冷靜，她有話要說。四個(gè)兄弟姐妹發(fā)現(xiàn)了，這是什么？
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster