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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾追遠尋根
Clare Monnelly,布里·尼·內奇廷,亞歷山德拉·比斯特日茨卡婭,Clare Barrett,夏洛特·布拉德利,塔拉·布雷思納克,格蕾絲·科倫德,Peadar Cox,Jim Cunningham,多蘿西·達菲,Marcus Lamb,邁克爾·奧·萊恩,Oisín ó Maoileoin,Liv O'Donoghue,奧爾加·韋爾利暗泳
懷亞特·拉塞爾,凱瑞·康頓,艾米麗·霍菲爾,加文·沃倫,南希·利內翰,本·辛克萊爾,喬迪·朗,埃迪·馬丁內斯,普雷斯頓·加利,埃莉·阿萊扎,艾萬·烏塔帕,埃莉諾·T·斯雷特,以利亞·J·羅伯茨金屬之聲
里茲·阿邁德,奧利維亞·庫克,保羅·拉西,勞倫·利德洛夫,馬修·阿馬立克,克里斯·佩爾費蒂,邁克爾·陶,威廉·澤法爾茨,亞歷克斯·基爾戈爾,杰米·加扎里安冷光中
麥卡·夢露,艾倫·霍科,特洛伊·科特蘇爾,杰西·厄文,海倫·亨特,帕特里克·薩邦圭,戴維·哈索姆,瓦羅娜·塞茨瓦埃洛,諾亞·帕克,Jessica Abruzzese,Geena Meszaros,特雷西·麥克馬洪,Yannick Lemos,Steven Miller,Barry Tuff,奧斯汀·范德坎普,Margaux Vaillancourt,Jonathan Klotz,Don Bland,Rachelle Glait抵擋計劃
Donald Cerrone,凱利·林恩·萊特,Vincent E. McDaniel,布蘭迪·羅德里克,Chris Maher同類推薦
富貴再逼人
沈殿霞,董驃在報館任職的驃叔(董驃 飾)因為工作的關系帶著全家到加拿大工作。一家五口都全身心投入新環境新生活中,驃叔卻因得罪上司被解雇了。由于大女兒、二女兒(李麗珍 飾)已開始了學業,他唯有帶著妻子驃嬸(沈殿霞 飾)與最小的女兒回到香港繼續生活,生活卻比以前更艱難了。驃嬸無意中發現了一張加拿大的頭獎彩票,獎金是兩千萬加幣。 由于不夠錢到加國,驃叔硬著頭皮向舊上司借。同樣受到經濟危機的上司設法要奪取驃叔的彩票。驃叔一家頑強對抗,保住了彩票,卻無法在領獎時限截止前趕到。 一家人傷心流淚,悲傷之中發現時間上出現了時差,領獎的時間還沒截止。
多諾萬的腦袋
劉·艾爾斯,吉恩·埃文斯,南茜·戴維斯,斯蒂夫·布羅狄一個誠實的科學家把死去的百萬富翁(多諾萬飾)的大腦保存在水箱里。多諾萬成功地把他強大的意志強加給這位科學家,并利用他來謀殺他的敵人。
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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
神犬查利
A dog gains superpowers after his is abducted by aliens. Together they battle an evil cat threatening humanity while the dog becomes a famous superhero.
卡薩諾瓦1976
唐納德·薩瑟蘭,蒂娜·奧蒙特,Cicely Browne,卡門·斯卡爾佩特,Clara Algranti,Daniela Gatti,瑪格瑞斯·克里蒙地,奧林匹婭·卡爾立斯,Silvana Fusacchia,切斯蒂·摩根,Leda Lojodice,Sandra Elaine Allen,Clarissa Mary Roll,丹尼爾·埃米爾福克,Luigi Zerbinati,Hans van de Hoek,杜德里·沙頓,約翰·卡爾森,雷吉·納爾德,芭芭拉·斯蒂爾,弗朗切斯科·德羅薩,Harold I意大利導演費德里克.費里尼的中期經典作《八部半》是其成熟高峰期作品,此后開始走向糜爛而至腐敗,偏于肉欲放縱和自我沉溺,像《費里尼之薩蒂尼康》(六九年)和本片,都是糜爛頹廢的出色力作。本片反映了十八世紀基督道德不振后的上流腐化放縱,費里尼盡情借題發揮,展現出精英文藝在人欲橫流下的腐爛情態。大情人卡薩諾華是在情場屢戰屢勝的“性斗士",不斷獵艷,還參加造愛競賽。但這大情人苦于人人只重他的性愛能力,不重視他經世濟民治國的才學。而且女人們對他都“有性無愛",當他衰老得失去性魅力之后,就只能把一個機械女人當作夢中情人,很可悲可憐。