劇情簡介
準新娘朝日即將結婚。我很高興看到這件衣服，我遇到了我的舊情人秀夫，他后來成為一家婚禮商店的經(jīng)理。被她結婚的消息激怒了，他她淫穢的秘密拍照他完全消除了威脅積累的欲望。
為你推薦
走心男
權相佑,文彩元影片翻拍自阿根廷電影《膝下無子》，講述了高中時期遇見初戀的男人無意間將家庭史變成秘密而展開的一系列風波浪漫喜劇故事。
年少有你
張善南,李明源,范云飛,郭素潔,李炎峰,王天宇,顏世魁,區(qū)天瑞墨彩寧（張善南 飾）是一名普通的高中學生，因為班主任（王天宇 飾）就是自家小姨，所以自己的一舉一動都逃不過小姨的法眼，平日只好偽裝成乖乖學生，但本質(zhì)上卻是一個不折不扣的追星達人。轉校生顧天琦（李明源 飾）的到來讓她本來平靜的生活發(fā)生了巨大轉變，她發(fā)現(xiàn)這位引人注目的同桌竟是偶像顧云凡（區(qū)天瑞 飾）的親弟弟，在顧天琦的囑咐下，墨彩寧答應保守住這個秘密。可特殊身份的消息還是不脛而走，也因此與閨蜜張公主（郭素潔 飾）產(chǎn)生了誤會，為了能讓張公主不再難過、顧天琦不再轉學，墨彩寧與同學袁遲（范云飛 飾）、同學童輝（李炎峰 飾）等人團結一心解決了困擾。在相處中，墨彩寧決心要成為像顧天琦一樣優(yōu)秀的人。轉眼到了寒假，在盛大的煙花下大家樹立了各自的人生目標，帶著珍貴的友誼走向憧憬的未來……
別告訴媽媽保姆死了
朱恩·斯奎布,丹妮爾·哈麗絲,喬安娜·卡西迪,Phoenix Parnevik,泰里克·威瑟斯,杰梅因·福勒,妮可·里奇,Iantha Richardson,邁爾斯·福勒,格斯·肯沃西,Simone Joy Jones,Patricia Williams,Donielle T. Hansley Jr.,阿亞米·斯萊奇,特莉薩娜,Robert M. Lee,卡特·揚,Lizet Upia,Hannah Wimbrey,Dominique Toney講述了17歲的女孩塔尼婭的故事。她計劃在秋季入學前與朋友一起去歐洲度假。但是，她的媽媽決定去泰國參加一個健康療養(yǎng)活動，因此塔尼婭不得不留在家里照顧她的兄弟姐妹。正如標題所示，當他們年邁的保姆意外去世時，塔尼婭找到了一份為一位雄心勃勃的女性工作的工作。在她努力平衡工作、家庭和復雜的愛情關系時，塔尼婭在失去最后一個自由的夏天的代價中，開始體驗成人生活。
密室逃生
泰勒·拉塞爾,洛根·米勒,黛博拉·安沃爾,泰勒·萊伯恩,杰·埃利斯,尼克·多達尼,杰西卡·薩頓,約里克·范·韋杰寧根,杰米-李·蒙尼,亞當·羅比特爾,韋爾·廷德爾,肯尼思·霍,科尼利厄斯·吉尼,保羅·漢普賽爾,佩泰·塞彭克,丹·格倫伯格,吉諾·李六位身份各異的陌生人，為贏取高額獎金，在神秘盒子的指引下受邀參與世界頂級密室逃脫游戲。誰知密室內(nèi)布局精良機關重重，陷阱遍布殺機暗藏。是刺激游戲，還是博命賭局？誰在背后操控這一切？誰能夠成功破解謎局，逃出生天？
豬扒大聯(lián)盟
李嘉欣,莫文蔚,林熙蕾,關秀媚,陳小春,馮德倫,黃浩然,杜德偉,郭少蕓,陳鍵鋒,許紹雄,盧海鵬,杜汶澤 Chapman To,鄒凱光,葉競生電話公司里有四位全棟大廈聞名的“豬扒”：患罕見脫發(fā)癥導致頭發(fā)稀疏的阿Mo（李嘉欣 飾）、荷爾蒙過剩的保安主管蘇眉（莫文蔚 飾）、臉上有大塊惡心胎記的計算機部員工“態(tài)貓”（林熙蕾 飾）、哨牙蒙眼的秘書阿刨（關秀媚 飾）。四個“豬扒”在公司雖然工作努力，但因樣子問題經(jīng)常遭到宣傳部主管“妖姬”嘲笑和排擠，四人敢怒不敢言，直到一天公司因經(jīng)濟不景氣四人同時遭到了解雇。公司設計師春春（陳小春 飾）可憐四人的遭遇，與細龜和阿倫想出了一條別出心裁的妙計，幫助四人籌款整容。春春的妙計能否湊效，四位“豬扒”又能否咸魚翻身？
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
生人活祭
艾米·西米茨,凱特·林恩·希爾,喬·斯萬博格,AJ·鮑恩,Kentucker Audley媒體從業(yè)人員帕特里克·卡特（肯塔克爾·德利 Kentucker Audley 飾）意外聯(lián)系到了失蹤許久的姐姐卡羅琳（艾米·西米茨 Amy Seimetz 飾）。卡羅琳當初曾在戒毒所治療，如今住進了一個名為“圣伊甸園”的地方，并自稱過上了烏托邦般的生活。為了弄清姐姐的下落，帕特里克和同事兼好友山姆·特納（AJ·鮑恩 AJ Bowen 飾）、杰克·威廉姆斯（喬·斯萬博格 Joe Swanberg 飾）啟程前往圣伊甸園的所在地調(diào)查。這座樂園位于一個鮮為人知的隱秘所在，許許多多生活中經(jīng)歷痛苦和坎坷的人們，在“父親”（吉恩·瓊斯 Gene Jones 飾）的感召和撫慰下重獲新生。 出于媒體人的敏感，山姆取得了和“父親”對談的機會，但他卻從對方幽默機智的談吐中嗅到了一絲殺氣……