他人妻

　　許久不見的克里斯提安(43歲)與吉奧(45歲)，終於在他們父親的葬禮上重逢。個性截然不同的兄弟難得聚在一起，在守靈夜酒酣耳熱之際，臨時起意決定去實(shí)現(xiàn)小時候的夢想-騎著電動自行車進(jìn)行一趟從黑森林到波羅的海、橫越整片德國的冒險旅程。在這段時速最高僅25公里的漫活旅程中，兩人經(jīng)歷了許多意想不到的遭遇，也重新認(rèn)識了彼此，甚至改變了他們往後的人生。

在西班牙馬略卡島的一次旅行中，兩位年輕女子（吉爾和薇薇安）在一家偏僻的酒吧里遇到了一群歐洲游客。她們一起游覽了當(dāng)?shù)氐耐讲铰肪€，卻以薇薇安慘遭殺害而告終。友誼逐漸被猜忌和恐懼所取代，幸存者們開始努力找出潛伏在她們中間的兇手。——布魯克法官

　　合力擊敗馬交文之后，king（劉德華 飾）與化骨龍（張家輝 飾）聯(lián)合化骨龍的表哥阿叻（陳百祥 飾）騙取了惡人大眼文一筆錢。當(dāng)他們打算享受一番之際，大眼文把化骨龍抓走了。King與阿叻則被警方帶到與中方高層見面，他們被派往拉斯維加斯捉拿大老千Peter朱（萬梓良 飾）。為了得到巨款拯救化骨龍，king接受了這次任務(wù)，前往拉斯維加斯。　　在拉斯維加斯，小心（郁芳 飾）與阿扁（林熙蕾 飾）一心想找到金龜婿，后來加入了king的老千行列。終于他們遇到了Peter，兩人互相欺騙更多次交手，敵意漸生。　　King用阿扁做餌勾引Peter成功，他們經(jīng)由沙漠公路到洛杉磯，途中Peter極力逃脫。眾人在沙漠奮力搏斗。Peter的手下竟然用直升機(jī)拯救，幸好king神機(jī)妙算，順利把Peter帶回香港。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.