劇情簡介
建立到滿意為止的D杯愛人代理-??????暫無內容????暫無內容D?暫無內容????-獨家高清首發稀缺資源
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宇宙怪獸加美拉
マッハ文朱,小島八重子地球征服をたくらむ宇宙海賊?ザノンが次々と送り込む怪獣を、平和星M38から派遣された3人の宇宙人が、ガメラを呼んで撃退する。“ガメラ“シリーズ全7作から、ガメラと怪獣たちの戦闘シーンをピック?アップしたアンソロジー。
烏鴉
淺野忠信,瀧內公美,托比·凱貝爾,高岡早紀五〇年代，相館世家長子前往東京追尋屬于自己的藝術攝影。十年打磨，怪才攝影師深瀨昌久在東京重生，愛妻鱷部洋子成為他的繆思女神，癡迷、寂寥、狂亂的靈魂逐步顯影。在快門間追求游戲與私密性的展現，深瀨昌久步步建筑起屬于自己的藝術殿堂。但背后驅動鼓吹他的，卻是一只潛伏在心底暗角、如影隨形的烏鴉，一點一滴滲透他的心靈??
雙生2022
泰莉莎·帕爾墨,史蒂芬·克里,芭芭拉·馬滕,Tristan Ruggeri,Ergo Küppas瑞秋（泰莉莎·帕爾墨 Teresa Palmer 飾）和安東尼（史蒂芬·克里 Steven Cree 飾）本來擁有一個幸福的家庭，兩人共同撫養著上天恩賜給他們的一對可愛的雙胞胎，一家人生活在平和與其樂融融的氣氛之中。哪知道，一場突如其來的災難在迅雷不及掩耳之際襲擊了這個家庭，雙胞胎中的哥哥不幸喪生，剩下的人則要體味無窮無盡的痛苦。 為了擺脫陰暗的過去，盡快走進新的生活，瑞秋和安東尼決定舉家遷往寧江的鄉村小鎮，在那里修復這個支離破碎的家庭，誰知道沒過多久，種種異象便發生在了幸存的弟弟艾略特（Tristan Ruggeri 飾）身上，艾略特告訴父母，死去的哥哥并沒有離開，而是一直糾纏和困擾著他。
時間浪人之愛你一大跳
艾倫,林佳陵,黃妮娜,郭祥鵬,陳姝,苗馳,紀陽木該片劇情主要講述了一個現代花花公子楚留香每天周旋于多個情人之間，某天意外被情人們發現后將他扔下懸崖，等他醒來時發現自己竟離奇穿越到古代，并且被將軍府千金杜鵑兒帶回去做家丁，而更加不可思議的是，他發現杜鵑兒竟然也是從現代穿越來的，隨后兩人就發生了一段“山路十八彎，蕩氣回腸”的另類穿越愛情故事。
驚爆魔盜團
祖爾·阿里芬,Sharnaaz Ahmad,Amelia Henderson,Nadhir Nasar,鄭斌輝,Yasmin Hani,呂楊,米勒·可汗,Elvina Mohamad,G Theebaan,Anas Ridzuan,Wan Raja,Mustaqim Bahadon,Aanantha Rajaram,Shamini Shradha,Alicia Amin,陳沛江,Sherry Al JeffryA skilled magician recruits an unlikely team for a daring heist to acquire a valuable gem. As they navigate their intertwined histories and escalating stakes, they must master deception, confront vulnerabilities.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
Kill Tony：笑鬧德州
托尼·欣奇克利夫一分鐘、一支麥克風、毫不留情。在奧斯汀舉行的殘酷演出中，托尼·欣奇克利夫及一眾著名嘉賓對立志成為喜劇演員的參賽者進行考驗。