即刻觀影
劇情賞析
編輯推薦
無懼之愛
協(xié)塔朋·平朋,翁韋德·答奴翁,安蘇瑪琳·瑟拉帕薩默莎,卡維·丹扎拉嵐,索姆查·肯格拉,????????????? ???????當(dāng)他們假裝還愛著對方的時(shí)候，YouTube上的“丁”和“寶石”情侶?在正式分手前，這對夫婦為了最后一篇內(nèi)容而放棄了鉆石戒指的主要制造商。直到我遇到了一位著名的“完美”生活教練，他利用孩子作為謀生手段，并打算從妻子那里獲得監(jiān)護(hù)權(quán)，他們?nèi)齻€(gè)別無選擇，只能互相幫助來完成這次營救任務(wù)。當(dāng)車開走的時(shí)候，突然，這個(gè)可怕的神秘人從黑暗中冒了出來，導(dǎo)致他的車出了事故，無法繼續(xù)前進(jìn)，他自告奮勇地把這三個(gè)人帶到一個(gè)偏遠(yuǎn)的玉米地的廢棄房子里過夜。面對“Mahathirachai”，一個(gè)邪惡的鬼魂，包括房子里的居民，他們既看不見，也看不見。起初，他們認(rèn)為這所房子里的鬼故事都是由幻象引起的，但當(dāng)他們發(fā)現(xiàn)每個(gè)人都和一個(gè)來自前國家的鬼魂有關(guān)時(shí)，他們花了幾百年的時(shí)間想要從他們那里得到一些東西!
錯(cuò)體姻緣
莫少聰,翁虹,午馬乾隆年間國泰民安，百姓安居樂業(yè)欣欣向榮過的是好不快活。 皇上在御前侍衛(wèi)高迪的陪同下前往江南體恤民情。在皇上出宮后一長陰謀正在展開，一位野心勃勃的王爺竟然暗地與當(dāng)?shù)睾趲凸唇Y(jié)一路追殺皇帝。 在前往惠州城的路上遇上了從京城逃婚離家的野蠻格格賈仁。經(jīng)過一場“惡斗”后三人決定一同上路，在惠州城的集市遇到了在集市中擺擂臺(tái)的“洋鬼子”元宵。元宵在比試中輸給了賈仁格格執(zhí)意要讓賈仁格格收他為徒。三人想盡辦法卻無法擺脫元宵，無奈只能收下元宵為徒。半夜在惠州城的某客棧，突然出現(xiàn)蒙面黑衣人刺殺皇帝，還好刺客技藝不精，皇帝沒有受到半點(diǎn)傷害。高迪決定四人連夜趕往他的老家避難。 在高迪家中，皇上遇到高迪的表妹惠喬，皇上對惠喬一見傾心，賈仁格格也慢慢的愛上了那個(gè)英俊風(fēng)流的侍衛(wèi)高迪。賈仁格格與元宵在回家的路上遇到一對奇丑無比的戀人。兩人因?yàn)橄嗝渤舐阅赀^四十還沒成家。善良的賈仁格格便與眾人一起幫助這對苦命鴛鴦籌辦婚禮，終于讓這對苦命戀人有情人終成眷屬。皇上與惠喬，高迪與賈仁在這段日子感情也逐漸升溫。豈料此時(shí)皇上與惠喬被蜻蜓幫綁架，高迪與賈仁心急如焚，托朋友四處打聽皇上與惠喬的下落。 綁架皇上的正是蜻蜓幫的幫主夫人瑤，此女人也曾經(jīng)是皇上的愛人，當(dāng)年為了皇帝背叛幫會(huì)。由愛生恨，此女對皇上當(dāng)年棄之不顧的事耿耿與懷。但是在與皇帝相處的這段日子里舊情復(fù)燃并偷偷的通知高迪皇帝被囚禁之處。 在與眾人的幫助下高迪終于找到了皇帝的所在，但在這個(gè)時(shí)候元宵露出了狐貍尾巴，眾人沒有想到元宵竟然是蜻蜓幫的人，在這個(gè)關(guān)鍵時(shí)候元宵倒戈相向。所幸的是元宵的背叛并沒有個(gè)給大家?guī)硎裁绰闊詈筮€是將皇帝從蜻蜓幫的魔爪之中救出。通過這次危難四人的感情更是牢固，最后成就了這一段錯(cuò)體姻緣。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
黑天鵝1942
泰隆·鮑華,瑪琳·奧哈拉,拉爾德·克雷加,托馬斯·米切爾,喬治·桑德斯,安東尼·奎恩,喬治·祖科故事背景設(shè)定在16世紀(jì)的英國，海盜首領(lǐng)莫根船長（拉爾德·克雷加 Laird Cregar 飾）受到國王查理的特赦，并被任命為牙買加總督。一位年輕而勇敢、機(jī)智而英俊的年輕人沃林（泰隆·鮑華 Tyrone Power 飾）決定跟隨莫根船長前往牙買加。然而，莫根過去的下屬、狡猾而殘忍的里奇船長（喬治·桑德斯 George Sanders 飾）卻拒絕接受莫根的領(lǐng)導(dǎo)，繼續(xù)在海上進(jìn)行搶劫商船的行為。為了消滅海盜，沃林率領(lǐng)船隊(duì)出海，在航行途中偶然與里奇的“黑天鵝號(hào)”，并和其他兩艘船發(fā)生了遭遇戰(zhàn)。面臨險(xiǎn)境，沃林不得不機(jī)智地假裝前來投降并投靠里奇。通過巧妙周旋和激烈戰(zhàn)斗，里奇最終受到了懲罰，他的“黑天鵝號(hào)”徹底被摧毀。與此同時(shí)，貴族小姐瑪格麗特（瑪琳·奧哈拉 Maureen O'Hara 飾）對沃林從厭惡逐漸轉(zhuǎn)變?yōu)榫磁澹罱K產(chǎn)生了愛慕之情，展開了一場曲折而離奇的愛情故事。
愛情坐標(biāo)
凱莉·羅蘭,馬索·曼恩,Chris Kapeleris,亞歷桑德拉·卡斯蒂略,梅蘭妮·利什曼,羅賓·席德,安妮·岡薩雷斯,大衛(wèi)·皮納德,Nck Name,丹尼爾·馬力克, 卡洛斯·岡薩雷斯-維奧,Elena Khan,Melissa Bray,Ava Blackwood,Connie Manfredi,Ronald P Boone Jr.,Cynthia Menard,Arabella Williams,安德·雷特爾,Hannah Yohannes探索現(xiàn)代浪漫的起起落落。
蟲2025
平野生成,佐藤里菜,木口健太,北原帆夏,山田絹緒,細(xì)川佳央,橋野純平,中山求一郎柾木在大學(xué)好友池內(nèi)的邀請下去觀看舞臺(tái)劇，并被登臺(tái)表演的芙蓉所吸引。然而，他逐漸開始懷疑芙蓉與池內(nèi)之間的關(guān)系。于是柾木與一個(gè)對芙蓉心懷厭惡的神秘女子小林合作…… 影片根據(jù)江戶川亂步的同名中篇小說改編。