影片推薦
季節已逝
馮達·埃爾伊義特,埃杰·亞薩爾,埃爾登姆·塞諾卡克把家虎
康琳浠,袁家駿,答有為,張原榮,王藝歡,趙鵬,王旭,梁棟,張婷,曹皓程,郭炫辰,杜俊峰,李凱武,蔣鎮澤,蔣鎮陽,岳建剛,楊恩全春娥
李心敏,李迎旗,許劍,陳燕伊天山玉女劍
黃秋燕,溫兆倫,楊麗菁,關秀媚,湯鎮業,惠英紅,關海山三個神探與喀爾巴阡之犬
Florentine Behrend,Levi Brandl,菲利普·克里斯托弗,Luis Dyangani,西拉-安娜 法爾,Mapi Plácido,Filip Schnack英雄百夜
艾瑪·科林,麥卡·夢露,尼古拉斯·加利齊納,埃米爾·艾爾-馬斯里,查莉XCX,理查德·E·格蘭特,菲麗希緹·瓊斯,瓦拉達·塞圖,克里斯托弗·法里班克,馬凱拉·卡維納赫,湯姆·斯托頓,克萊爾·珀金斯,喬什·柯德雷,薩菲亞·奧克利-格林,畢揚·丹斯曼,杰夫·米爾扎,Olivia D'Lima,喬丹·庫爾森,邁爾斯·基奧治,科里·彼得森同類精選
機械怪獸
喬治·納德,Claudia Barrett犯罪現場調查完結篇:不朽
特德·丹森,喬雅·福克斯,艾瑞克·茲曼達,羅伯特·大衛·豪爾,華萊士·朗翰,大衛·伯曼,伊莉莎白·哈諾伊斯,喬·維爾內爾,威廉·彼德森,瑪格·海根柏格,保羅·吉爾福伊爾,邁克爾·比奇,布瑞達·伍爾,凱蒂·史蒂文斯,Alexandra Barreto別告訴媽媽保姆死了
朱恩·斯奎布,丹妮爾·哈麗絲,喬安娜·卡西迪,Phoenix Parnevik,泰里克·威瑟斯,杰梅因·福勒,妮可·里奇,Iantha Richardson,邁爾斯·福勒,格斯·肯沃西,Simone Joy Jones,Patricia Williams,Donielle T. Hansley Jr.,阿亞米·斯萊奇,特莉薩娜,Robert M. Lee,卡特·揚,Lizet Upia,Hannah Wimbrey,Dominique Toney阿凡達:火與燼
薩姆·沃辛頓,佐伊·索爾達娜,西格妮·韋弗,史蒂芬·朗,奧娜·卓別林,大衛·休里斯,凱特·溫斯萊特,貝利·巴斯,吉奧瓦尼·瑞比西,杰梅奈·克萊門特,杰米·福雷特斯,埃迪·法可,克利夫·柯蒂斯,喬·大衛·摩爾 ,杰克·尚皮永,馬特·杰拉德,科斯頓·約翰,菲利普·蓋廖,布里坦·道爾頓,特里尼蒂·布利斯,小杜安·埃文斯父母姐弟
凱特·布蘭切特,亞當·德賴弗,夏洛特·蘭普林,薇姬·克里普斯,湯姆·威茲,莎拉·格林,弗朗索瓦茲·勒布倫,茵蒂婭·摩爾,盧卡·薩巴,馬伊姆·拜力克回廊亭殺人事件
常盤貴子,內藤剛志,田中圭,田中哲司,趙珉和,德永繪里,入來茉里,井口恭子,増田修一朗,國生小百合,豐田真帆,松尾諭影視排行
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
零食小屋
加布·拉貝爾,David Costabile,米卡·阿卜杜拉內布拉斯加州,1991年,兩個最好的朋友有機會經營游泳池小吃店,后來成為越軌、娛樂、個人發現和浪漫的完美場景。
最爽的一天
馬提亞斯·施維赫夫,弗洛里安·大衛·菲茨,賴納·博克,拉斯·多普勒,安德亞斯·杜伯斯,杰克·希爾,亞歷山德拉·瑪麗亞·拉娜,弗萊德雷克·林克曼,羅伯特·尼基施,卡洛琳·拉普,羅比特·舒阿普,塔蒂婭·賽布特,瑪麗亞·沃斯名不見經傳的鋼琴家安迪(馬提亞斯·施維赫夫 Matthias Schweigh?fer 飾)和從未干過什么正經事整天游手好閑的本諾(弗洛里安·大衛·菲茨 Florian David Fitz 飾),這兩個個性迥異似乎永遠都不會有交集的人,相識于病房之中,兩人都患上了無法治愈的絕癥,時日無多。 在本諾的慫恿之下,安迪決定和他一起逃出病房,來一趟充滿了陽光和激情的非洲之旅,他們要盡情享受轟轟烈烈毫無顧忌的人生,才能甘心接收死亡的終結。就這樣,兩個“亡命之徒”踏上了他們的旅途,一路上,瘋狂的兩人制造了數不清的麻煩和笑料,而他們糟糕的健康狀況,亦令兩人屢屢同死神擦肩而過。最終,當他們抵達了目的地時,又會有怎樣的一番景象在等待著兩人呢?
壞媽媽
米拉·庫尼斯,凱瑟琳·哈恩,克里斯汀·貝爾,克里斯蒂娜·艾伯蓋特,賈達·萍克·史密斯,安妮·瑪莫羅,烏娜·勞倫斯,恩杰伊·安東尼,大衛·瓦爾頓,克拉克·杜克,杰伊·埃爾南德斯,維德爾·皮爾斯,莉亞·麥肯德里克,梅根·弗格森,萊爾·布羅卡托,旺達·塞克絲,凱德·曼斯菲爾德·庫克西,J·J·瓦特,安·馬奧尼,薩曼莎·博利厄,唐娜·杜普蘭提爾,克莉絲緹娜·德蘿莎,揚·費爾德曼,杰倫·摩爾所有人都以為,艾米(米拉·庫妮絲 Mila Kunis 飾)擁有著幸福美滿的婚姻生活——恩愛的丈夫,乖巧的孩子,優渥的生活條件,但只有艾米自己知道,為了維系這看似光鮮的表象,她的內心早已經精疲力盡。丈夫把所有的家務事都一股腦的甩在她的頭上,在處理這些瑣事的同時,艾米還必須兼顧著去討好她周圍其他的媽媽們。 終于有一天,艾米再也受不了她的生活了,她離開了家庭,拋棄了丈夫和孩子,帶著閨蜜琪琪(克里斯汀·貝爾 Kristen Bell 飾)和卡拉(凱瑟琳·哈恩 Kathryn Hahn 飾),兩名同樣受到生活瘋狂壓榨的家庭主婦,三人踏上了一條瘋狂的狂歡之路。