劇情縱覽
久木祥一郎(役所廣司飾)是一家出版社的高級編輯,妻子久木文枝(星野知子飾)做設計陶制品,已成年的女兒在醫院工作,很少回家。祥一朗感到家庭生活乏味,夫妻間總是客客氣氣。 祥一郎有個情人,業余書法教員松原凜子(黑木瞳飾)。凜子氣質高雅,是個聰明女子。可惜嫁了個毫無情味的醫生丈夫松原晴彥。他冷冰冰的,招致二人婚姻空虛。一次他堅決地通知凜子決不會和她離婚,他控制有妻子偷情的證據,并揭露了事情。另一邊文枝卻默默接受,最終也只能離婚。冬季到來,祥一郎和凜子怎樣才干永遠的和對方長相廝守呢?
久木祥一郎(役所廣司飾)是一家出版社的高級編輯,妻子久木文枝(星野知子飾)做設計陶制品,已成年的女兒在醫院工作,很少回家。祥一朗感到家庭生活乏味,夫妻間總是客客氣氣。 祥一郎有個情人,業余書法教員松原凜子(黑木瞳飾)。凜子氣質高雅,是個聰明女子。可惜嫁了個毫無情味的醫生丈夫松原晴彥。他冷冰冰的,招致二人婚姻空虛。一次他堅決地通知凜子決不會和她離婚,他控制有妻子偷情的證據,并揭露了事情。另一邊文枝卻默默接受,最終也只能離婚。冬季到來,祥一郎和凜子怎樣才干永遠的和對方長相廝守呢?
在一個平凡的美國小鎮,同性戀男孩被人殺害,他的死卻引起了廣泛爭議。自稱代表上帝的牧師艾賓·庫伯(麥克·帕克斯 Michael Parks 飾)帶領信眾游行示威,控訴著世間各種丑態與罪行。另一邊,高中生特拉維斯(Michael Angarano 飾)、賈羅德(Kyle Gallner 飾)、比利-雷(Nicholas Braun 飾)卻相約夜晚出行,尋找屬于青春時代的放浪與刺激。誰知渴望狩獵的少年,反倒成了他人的獵物。他們落入庫伯及其信眾的陷阱,隨時都會失去生命。 另一方面,美國槍支管理局的特工約瑟夫·吉南(約翰·古德曼 John Goodman 飾)逐漸掌握庫伯囤積槍支的證據,一場無關正義與道德缺失的攻防戰即將展開……
在一個肅殺的夜晚,滿身傷痕的女孩西恩娜(艾麗森·蘭格 Allison Lange 飾)跌跌撞撞沖入公路。她隨即被送往醫院,在探員贊恩(詹森·倫敦 Jason London 飾)的詢問下,驚魂未定的西恩娜終于說出了那段恐怖經歷。 兩周前,她和同在醫科大學念書的好友斯科特(B.J. Britt 飾)、杰森(尼克·霍爾莫斯 Nick Holmes 飾)、本(C.J. Thomason 飾)、夏儂等人結伴外出游玩。他們駐留在一所古堡,看似一切充滿了刺激和樂趣,但是這份無上喜悅很快便蒙上一層陰影。在他們身后,似乎有一個手執手術刀的奪命醫生蠢蠢欲動,死神的腳步越來越近。這群躊躇滿志的未來醫生,儼然成為了手術臺上的致命犧牲品……
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
A writer who studies the paranormal believes that low frequency tactile sound is the cause for reported ghost sightings in an abandoned subway station. In an attempt to debunk the sightings, she breaks into the station to record evidence.