即刻觀影
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超時(shí)空傳輸
羅比·阿梅爾,瑞切爾·泰勒,肖恩·本森,亞當(dāng)·布切,坦圖·卡丁諾,Gray Powell,Jacob Neayem,杰米斯皮爾切克未來(lái)世界能源枯竭，食物短缺。雷恩醒來(lái)，三名蒙面人將他和女友劫持，他奮力掙脫卻從樓梯摔下。雷恩再次醒來(lái)，發(fā)現(xiàn)自己經(jīng)歷著同樣的一天。他告訴女友漢娜，卻發(fā)現(xiàn)漢娜和蒙面人是一伙的。雷恩才發(fā)現(xiàn)，他們都陷入了自己制造的ARQ能源機(jī)引發(fā)的時(shí)間循環(huán)中，而雷恩曾經(jīng)效力過(guò)的Torus公司正要奪走這臺(tái)機(jī)器。為了阻止Torus公司，雷恩和漢娜再次進(jìn)入無(wú)限的循環(huán)...
協(xié)議
貝倫·魯埃達(dá),米蕾婭·奧利奧,達(dá)里奧·格蘭迪內(nèi)蒂,安東尼奧·杜蘭·莫里斯,喬斯因·本格特伊,卡魯斯·法布雷加,瓦內(nèi)薩·布查卡,塞巴斯蒂安·蒙特奇諾莫妮卡有個(gè)正值青春期的女兒卡拉，但一天早上卡拉卻因一場(chǎng)奇怪的事件而失蹤，幾個(gè)小時(shí)後被人發(fā)現(xiàn)時(shí)已意識(shí)不清，醫(yī)生更宣告她剩下的時(shí)間不多。莫妮卡無(wú)法接受自己的女兒已無(wú)藥可救，在極度絕望之下，參與了一場(chǎng)暗黑儀式，並跟一名神秘的男人訂下契約，以挽救卡拉的性命。隔天卡拉突然恢復(fù)活力，連醫(yī)生也無(wú)法解釋原因，但莫妮卡的夢(mèng)魘才正要開(kāi)始。
冥界
杰森·倫敦,羅伯特·英格蘭德,Gianni Capaldi,洛麗娜·卡姆布羅瓦,黛安娜·柳貝諾娃,阿塔納斯·斯雷布雷夫,Nikolay Valentinov Lukanov,John Strong,斯蒂芬·施特雷夫,Julieta Koleva,Todor Dotsev,Dimitar Banchev,Lyuben Popov前洛杉磯警察布雷特在保加利亞首都索非亞，擔(dān)任一棟舊公寓大樓的安保主管。布雷特很快發(fā)現(xiàn)了一股邪惡力量，打開(kāi)了冥界與人類世界的大門(mén)……
要地球倒轉(zhuǎn)
保羅·勒馬特 Paul Le Mat,南茜·艾倫,戴安娜·斯卡爾維德,邁克爾·勒納,路易絲·弗萊徹查理的前妻失蹤了，于是他去了她長(zhǎng)大的地方，一個(gè)位于西部的鄉(xiāng)村城鎮(zhèn)尋找她。 但是，令人驚訝的是，沒(méi)有人知道她或她親戚的所在。 然后他又遇到外星人，但是當(dāng)他聯(lián)系聯(lián)邦調(diào)查局時(shí)，并沒(méi)有人相信他。 他只好將故事登報(bào)，并隨即受到了外星人的追殺。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
蔗噬
喬茜·朱麗葉特·沃特,Kellan Jackson,Lacey Katena,Michael Mau,邦妮·布魯爾,Zach Ball,Ashley Nicole Blake,Haley Johnson,妮可·凱茨,Cullen Lovelock,Kevin J. Stone,Clarence Garner,貝內(nèi)特·韋爾奇,Will Landis,Cate Whitlatch一場(chǎng)與虐殺狂魔的生死競(jìng)速就此展開(kāi)——販賣(mài)幸存者拼死追蹤被綁少女，而自其失蹤后，每一小時(shí)流逝都令少女的生機(jī)愈加岌岌可危