即刻觀影
劇情賞析
編輯推薦
遇事別沖動
鹿超,宋杰,宋媛一塊寶地遭人惦記、一枚軍功章引賊來、十萬現金不翼而飛，夜半老漢離奇昏迷，三名陌生男子橫躺家中。是陰謀？是誤會？層層烏龍背后，深藏的是榮譽執念與親情渴望。當真相揭開，一切竟源于最樸素的執念與最陰差陽錯的誤會……榮譽與親情，最終將如何安放？
鬼們之蝴蝶大廈
尹馨,曹佑寧,馮淬帆,白潤音,蔡振南,莊凱勛,安心亞,曾莞婷陳薇（尹馨 飾）帶著女兒（林采潔 飾）為躲避家暴的丈夫住進有自殺勝地之稱的蝴蝶大廈后怪事頻傳。管理員梁伯（馮淬帆 飾）和頂樓的廟公山叔（蔡振南 飾）不斷提醒她這一層樓不太干凈，如果有能力還是盡快搬走，但是經濟拮據的她暫時只能棲身于此。各種三教九流的鄰居、雜貨鋪有陰陽眼的自閉癥男孩阿弟（白潤音 飾），還有那間被再三交代禁止靠近的613號房，一切都令陳薇感到詭異莫名。外表陽光的代班管理員小梁（曹佑寧 飾）對獨立堅強的陳薇照顧有加，經常借故上門幫忙維修家電，陳薇女兒看到他來也會難得露出微笑。正值鬼門開時，蝴蝶大廈內意外頻傳，甚至發生許多靈異事件，但老住戶們似乎已經習以為常。陳薇原本是想帶女兒逃離丈夫，不料卻將自己卷入更大危機之中...
黑衣女人2：死亡天使
海倫·麥克洛瑞,杰瑞米·艾文,菲比·福克斯,利安娜·貝斯特,阿德里安·勞林斯,奧克利·佩德加斯特,萊拉·德·梅扎,海莉·喬安妮·培根,奈德·丹內利,阿米莉婭·皮金,豪爾赫·萊昂·馬丁內斯,裘德·懷特,皮普·皮爾斯,理查德·班克斯,阿爾菲·西蒙斯1941年，第二次世界大戰如火如荼。英國倫敦遭到納粹法西斯的毀滅性轟炸，成千上萬的人流離失所，更有無數兒童淪為孤兒。為了躲避戰火的蹂躪，陸軍軍官的妻子海倫·霍格女士（海倫·麥克洛瑞 Helen McCrory 飾）與伊芙·帕金斯（菲比·福克斯 Phoebe Fox 飾）帶著孤兒們登上列車，輾轉來到一處偏遠所在避難。經過長途跋涉，她們抵達目的地并被安排在臨時的占時軍隊醫院落腳。只不過它的前身這里正是那個黑衣女人橫行盤桓的Eel Marsh House。才脫狼穴，又入虎口，驚慌失措的女人和孩子們即將迎來比戰爭更為可怕的噩夢，惡靈的殺戮有序展開…… 本片根據英國小說家蘇珊·希爾（Susan Hill）的暢銷小說改編。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
草莓之夜2013
竹內結子,西島秀俊,小出惠介,宇梶剛士,丸山隆平,津川雅彥,渡邊一計,遠藤憲一,高島政宏,生瀨勝久,武田鐵矢,染谷將太,金子統昭,金子賢,鶴見辰吾,石橋蓮司,田中哲司,三浦友和,大澤隆夫,橫山美雪仿佛永不停歇的連綿之雨，引領著成軍四年半的姬川班前往終點。在一周時間內，東京連續發生三起作案手法雷同的殺人事件，死者全部隸屬最大黑幫大和會的下屬組織。警方旋即成立搜查總部，組隊四課堅持認定該案件因繼承人之位而起，而姫川玲子（竹內結子 飾）提出質疑，導致總部分裂。隨之而來的神秘電話，令玲子將目標鎖定在柳井健斗（染谷將太 飾）的陌生男子身上，然而高層卻下令她禁止追查柳井這條線索。絕不隨便屈從強權的玲子，在菊田和男（西島秀俊 飾）等姬川班伙伴的掩護下展開獨立調查，在此過程中，柳井不堪回首的過去以及和警方錯綜復雜的關系逐漸明朗。而和自稱房地產商人的牧田勛（大澤隆夫 飾）邂逅，使得同樣背負著傷痕的玲子命運發生轉變…… 本片根據譽田哲也的系列懸疑小說《草莓之夜》改編，為同名電視劇的劇場版。
玉米地的小孩：大逃亡
瑪茜·米勒,Molly Nikki Anderson,Blaine Maye,Lynn Andrews III,JR Hatchett,Mary Kathryn Bryant,Jake Ryan Scott,Sara Moore,Gavin Taylor,Debbi Tucker,Glenda Taylor,Cacky Poarch,Tom Allen,Tyler Corbin,Daria Balling,William Sturgeon年輕的孕婦露絲逃脫了兇殘的兒童邪教。在接下來的十年里，她匿名生活，試圖使兒子免遭她小時候所經歷的恐怖，但有邪惡跟著她，現在，她必須面對邪惡，或者失去孩子……