甜蜜欲望

★ 4.1 播放：87萬 更新：2026-04-23
主演：未知

19歲的少女貝拉（Anna Raadsveld 飾）是一個居住在荷蘭鄉間的女孩，她單純敏感，一心專注在小提琴的演奏上，為了考入理想的學校而努力練習，但是最終的效果并不明顯，這令她憂心忡忡。與她相比，周圍的人似乎生活得更加率性隨意，無論是男朋友、姐姐、母親或是好友約克什（Charlie Dagelet 飾），對性的態度都甚為開放，貝拉對此頗不以為然。 　　在入學考試中，原本表現糟糕的貝拉無意中遭到一雙充滿情欲愛意的雙手的撫摸，這使她接下來的演奏如有神助，表現超常。這次神秘的經歷促使貝拉嘗試改變自己，尋找生活和演奏上的至高點。一切就此發生改變……

在線播放

劇情簡介

19歲的少女貝拉（Anna Raadsveld 飾）是一個居住在荷蘭鄉間的女孩，她單純敏感，一心專注在小提琴的演奏上，為了考入理想的學校而努力練習，但是最終的效果并不明顯，這令她憂心忡忡。與她相比，周圍的人似乎生活得更加率性隨意，無論是男朋友、姐姐、母親或是好友約克什（Charlie Dagelet 飾），對性的態度都甚為開放，貝拉對此頗不以為然。 　　在入學考試中，原本表現糟糕的貝拉無意中遭到一雙充滿情欲愛意的雙手的撫摸，這使她接下來的演奏如有神助，表現超常。這次神秘的經歷促使貝拉嘗試改變自己，尋找生活和演奏上的至高點。一切就此發生改變……

導演精選

破壞欲

　　在父親的生日宴會上，一面鏡子的突然碎裂讓吉娜（琳娜·海蒂 Lena Headey 飾）和眾人感到了深深的不安。第二天，吉娜來到工作的醫院，卻被告知就在不久之前自己剛剛離開了醫院。對于這一異象，吉娜只以為是同事眼花，但之后發生的事情卻讓她再也無法保持平靜——無論是大街上正在行駛的紅色越野車，還是車中所坐的女子，皆和吉娜完全相同。　　無法控制自己好奇心的吉娜尾隨女子來到了一幢公寓，過后，吉娜遭遇了慘烈的車禍。為了療傷，吉娜開始和男友斯蒂芬（梅爾維爾·珀波 Melvil Poupaud 飾）同居，她將她的所見所聞告知了男友，后者卻認為她不過是腦部受到了創傷，吉娜陷入了無盡的恐懼和懷疑之中。

掃惡

千禧時代質感的動作犯罪類型，奇葩刑警隊長與背負殺父之仇的少年聯手追緝重出江湖的殺人劫車團伙，刺激爽感中不乏社會思考和感動。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster