回憶初體驗(yàn)

★ 5.1 播放：47萬 更新：2026-04-22

年輕天真無邪的成愛與失業(yè)的黑幫青年建宇開啟了第一次戀愛，對(duì)性充滿好奇的成愛與建宇發(fā)生了關(guān)系，再后來，成愛最好的朋友宥利搶走了建宇，兩人很快結(jié)婚，然而，建宇仍然在宥利不知情的情況下，時(shí)不時(shí)地與成愛見面并享受性愛...

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年輕天真無邪的成愛與失業(yè)的黑幫青年建宇開啟了第一次戀愛，對(duì)性充滿好奇的成愛與建宇發(fā)生了關(guān)系，再后來，成愛最好的朋友宥利搶走了建宇，兩人很快結(jié)婚，然而，建宇仍然在宥利不知情的情況下，時(shí)不時(shí)地與成愛見面并享受性愛...

導(dǎo)演精選

河貍變身計(jì)劃

 少女梅寶（佩珀·柯達(dá) Piper Curda 配音）偶然借助突破性技術(shù)，讓自身意識(shí)“跳脫”身體，進(jìn)入機(jī)械動(dòng)物體內(nèi)，“變身”為一只活潑靈動(dòng)的河貍，從而得以潛入動(dòng)物社群內(nèi)部，更以“人類思維闖入動(dòng)物本能”的獨(dú)特視角，揭開一場(chǎng)充滿意外與溫情的野外探險(xiǎn)。

承諾2017

　　1997年，亞洲金融危機(jī)如同暴風(fēng)雨一般席卷各國(guó)，公司倒閉已成尋常，老板富賈逃亡自殺，普通民眾的生活愈加困苦。富家女孩布姆（Thunyaphat Pattarateerachaicharoen 飾）父親所蓋的大樓最終爛尾，遭到父親家暴后，萬念俱灰的布姆和伊布（Panisara Rikulsurakan 飾）相約自殺。陰差陽錯(cuò)，貝爾去往另一個(gè)世界，布姆則茍活人間。　　時(shí)光流轉(zhuǎn)，20年后的布姆（楠迪·宗拉維蒙 Namthip Jongrachatawiboon 飾）已成為小有名氣的房地產(chǎn)企業(yè)家。某天，她帶著女兒貝爾（安比查雅?松可寒 Apichaya Thongkham 飾）再次來到當(dāng)年和朋友自殺的爛尾樓。頑皮的貝爾四處游蕩，撿到了母親當(dāng)初和伊布溝通的BP機(jī)。殊不知，一個(gè)孤獨(dú)的靈魂已在此等候多年，只為了踐行未完的承諾……

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.