欲望決勝點
別名:阿根廷超級德比、超級德比 生意失敗、老婆又跑到南美,跟當紅足球明星打得火熱,失意的酒商于是帶著青春期兒子繞過大半個地球,從丹麥到阿根廷,兒子很快發展出自己的戀情,做老爸的看著老婆與情人雙宿雙飛,思考自己人生到底敗在那里。 這似乎是個合乎時令的「氣候變遷」悲喜劇,從冰冷陰郁的丹麥到熱情洋溢的阿根廷──美酒、足球、探戈、火辣的x愛──所有你想得到、關于這兩個國家文化差異的真實與刻板印象,玩弄得淋漓盡致,這么大鬧一場(其實不只一場)后,主角們對于生命與愛情也必然有新的見解。但導演自然意識到自己把玩了太多的老梗,于是有意無意間還是要祭出些驚奇,免得盡入俗套。于是我們愉快地跟著去阿根廷渡了個假,無須承擔主人公的苦惱,不管結局是出于意外還是預期,都不算虧了,不是嗎?
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地獄無淚
盧克·拜恩斯,格溫·范·丹,塔蒂安娜·馬爾賈諾維奇,奧德莉·尼爾,加里·卡斯帕,艾瑞克·費洛斯,溫·賴克特哨兵
邁克爾·帕爾,杰森·R·摩爾,Ellie Patrikios,Denitza Diakovska,Neil Cole,Paolo Mazzini,John Stewart Arnold,Ivan King天竺藍調
布麗·拉爾森,烏特卡什·安邦德卡爾,斯科特·巴庫拉,薩西爾·塞加爾,泰恩·黛莉,唐納德·薩瑟蘭,拉克希米·曼楚,布格斯·巴爾加瓦,達里普·塔西爾,蘇哈西妮·穆雷,凱扎德·科特瓦爾,Jaswinder Singh Kambo,阿西夫·阿里·貝格,卡里姆·哈吉,Prashant Prakash宿命,吾愛:第二部
沙伊恩·布邁丁,奧菲莉·芭,Jessica Pennington,薩利姆·克希烏什,安德烈·雅各布斯,阿弗西婭·埃爾奇,亞歷克西婭·夏達,Dany Martial,Marie Bernard,Delinda Kechiche,盧·盧蒂奧,Kamel Saadi,Athéna?s Sifaoui-Blanc人肉農場
諾拉·葉莎耶,Alec Gaylord,Ken Volok,Rob Tisdale,Kelly Mis,David Air,Julie Meghan Brown,Gael Carrion,Jola Cora,Sandra Cruze,Rishi Das,Hollywood Lee DuPree,Catherine Farion,Giovanni Savoia Giò,Ryan Grindstaff再一英里
瑞安·菲利普,艾米麗·霍菲爾,莎拉·坎寧,Sage Linder,貝薇莉·埃利奧特,菲爾·伯克,加布里埃爾·哈辛托,C·托馬斯·豪威爾,喬納森·懷特賽爾,裘德·威爾遜,加菲爾德·威爾遜,Keana Velsen,西蒙·錢,威廉·威爾德,Loreen Regnander,Parveen Dosanjh,Elliot Drew,安德魯·科蘭特斯,Tommy Europe,Karina Frislev同類精選
生人活祭
艾米·西米茨,凱特·林恩·希爾,喬·斯萬博格,AJ·鮑恩,Kentucker Audley養鬼吃人5:直闖地獄
身在其中
艾莉森·帕拉迪絲,Jean-Baptiste Tabourin,Claude Lulé,Dominique Frot,娜莎麗·羅賽,Fran?ois-Régis Marchasson,碧翠斯·黛爾,Hyam Zaytoun,塔哈·拉希姆,Emmanuel Guez,盧德維克·伯特希爾克,Emmanuel Lanzi,尼古拉斯·迪佛休爾,艾曼·賽義迪希望的另一面
韋勒·維坦恩,卡蒂·奧廷寧,湯米·柯貝拉,什萬·哈吉,詹恩·海蒂恩,瑪麗亞·賈維納廉明,薩卡里·庫斯曼嫩,約恩·唐納,妮若茲·哈吉,伊爾卡·克伊瓦拉,米爾卡·阿羅斯,蒂莫·托里克卡,蘇勒維·佩爾托拉,坦利·梅克拉,努普·科伊武協議
貝倫·魯埃達,米蕾婭·奧利奧,達里奧·格蘭迪內蒂,安東尼奧·杜蘭·莫里斯,喬斯因·本格特伊,卡魯斯·法布雷加,瓦內薩·布查卡,塞巴斯蒂安·蒙特奇諾殺人漫畫
嚴基俊,李施吟,金顯祐,吳光祿影視排行
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
中華戰士
楊紫瓊,吳耀漢,爾冬升,盧冠廷,劉芊蒂,松井哲也,陳敬,張耀星,趙志凌,馮克安,黃正利,谷峰,劉晃世,羅莽,譚偉民影片以悲壯的筆觸,描述了30年代時期,不丹國卡爾城金將軍與日軍勾結,在城里生產毒氣,中國派遣特務“天字第一號”和現代鏢局負責接出城主尤達。女鏢師阿瓊在愛慕尤達的金將軍女兒芊芊幫助下,意欲和尤達一起逃走,但“天字第一號”力主要破壞毒氣計劃,結果被抓。金將軍為救愛女,反過來幫助他們,與日軍開始一場大戰。
怨泊
何超儀,高橋和也,白川和子,周俊偉東京,一個世界知名的大城市。 Sarah (何超儀 飾) 與男友分手后,來到此地欲求購買房生產,并度過一個短暫而寧靜的假期,但一切事與愿違。由于美國總統的突然到訪東京,原定的酒店已滿。 房地產公司將她安置在一座非常破舊廢棄令人毛骨悚然的私人民宿 “minipaku” 中 ,當Sarah入住時,她發現它是由一位老婦人(白川和子 飾)經營的。她在那里的第一個晚上感到十分不安和可怕,噩夢連連,并且病了起來,只能被迫留下來,更令她意外地發現了一具正在被寄生蟲吞噬的完整骨骼。警察局的高級警司(高橋和也 飾)接手調查,也發現這家民宿牽涉多宗連環離奇失蹤案件,怪事連連,警司也未能為Sarah破解。 這座有著非常神秘力量和不明歷史的房子,與Sarah有著某種聯系。當 “minpaku” 的燈熄滅時,可怕而令人不安的景象籠罩著她,它們變得越來越真實。一場又一場可怕而離奇的噩夢,令人不知道這是開始還是結束,似乎一切都是安排好的。
誤色
Matthew Gilliam,Lavinia Postolache,Peter Gantenbein,Tanya Thomas,William Frederick Knight,司馬優現在是2003年,國際武器核查員泰德·凱勒(馬修·吉利亞姆)在美國入侵伊始就在伊拉克工作。在調查一個未被發現的武器藏匿處時,他發現了一個可疑來源的生物制劑,他很快意識到這種生物制劑已經危及他的生命。撞倒在地,他危險的軌跡與美麗的國會援助伊蓮娜·波佩斯庫(拉維尼婭·波波拉切)相撞,后者發現自己被自己的危險包圍著。他們聯合起來,被迫質疑一切,同時努力比那些希望他們沉默的人領先一步。