韓國太太的告白
日本人野澤先生首次到韓國工作, 由韓國女翻譯江藤接待. 有次日人野澤獨自在街上購物, 不懂韓語, 巧遇一位韓國太太吳美淑, 略知日語幫助溝通. 恰巧美淑正是野澤前來韓國工作所接洽老板的妻子. 韓方老板安鐘福, 和嬌美奶大的翻譯江藤**相識已久, 常有曖眛關系, 在公司激烈**x愛. 在一次眾人餐聚中, 丈夫建議太太陪野澤先生, 到韓國各景點觀光旅游. 因她老公就算工作不忙, 也經常在外亂搞不回家.太太美淑長久獨守空閨, 寂寞芳心, 含情脈脈, 藉此旅游外宿機會, 乾柴烈火, 托衣解褲, 沒法抑制道德理智. 兩人肉體刺激接觸,;即一拍茍合, 發生多次激情浪漫的性情誼, 太太享受到空前無比的歡愉........
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美國暴力
布魯斯·鄧恩,丹妮絲·理查茲,凱維·萊曼-默塞尤,哥倫布·紹特,羅布·格隆科夫斯基,邁克爾·帕爾,約翰尼·梅辛納,愛瑪·里格比,尼克·齊蘭德,帕特里克·基爾帕特里克,邁克爾·約翰·朗,米歇爾·圣托彼得羅,威洛·黑爾靈異隧道實錄
貝爾·德利亞,Andy Rodoreda,Steve Davis,盧克·阿諾德,戈蘭·D·克魯特,James Caitlin,Ben Maclaine,彼得·麥卡拉姆,Rebecca Clay,Shannon Harvey,Arianna Gusi,Russell Jeffrey,Jessica Fallico,Ben James,Peter Overton,瑞妮·林,丹·伊利克天使的印跡:苦難
熱拉爾·德帕迪約,喬伊·斯塔爾,瑪爾特·克勒爾,蒂埃里·萊爾米特,湯姆·霍夫曼,馬修·加里瑞,伊蓮娜·諾古哈,呂迪格·福格勒時間浪人之愛你一大跳
艾倫,林佳陵,黃妮娜,郭祥鵬,陳姝,苗馳,紀陽木獵戰狂徒
鄭楚一,魏曉璇,文東俊,曾晨,鄒兆龍,盧惠光,邢瀚卿,英壯,梁焯滿,閔政,孫蛟龍,王澤宗,王洪千,包小平,任珅,吳豪,徐寧,趙思陌,楊光,朱翔,張振宇瑞典魚雷
Josefin Neldén,米克爾·福爾斯加德,Arthur S?rbring,麗莎·卡勒希德,貢內爾·弗雷德同類精選
一個拳手
王一鳴,任珅,梁國榮外出時刻
羅蘭·拉斐特,埃馬紐埃爾·貝克特,帕斯卡爾·格雷戈里,格雷戈里·蒙泰爾,安娜·盧瓦雷,Cyrille Hertel,盧安娜·巴杰拉米,Victor Bonnel,格林奇,托馬斯·西梅卡,蓋伊·托馬斯,Véronique Ruggia靈魂擺渡之風華絕代
于毅,岳麗娜,何花,楊昆,倪虹潔,劉智揚自由萬歲
華萊士·比里,里奧·卡利羅,菲伊·雷黑蜥蜴1962
京町子,大木實,川口浩,葉順子,三島雅夫,目黒幸子,中條靜夫,久里千春毛骨悚然撞鬼經 2020秋季特別篇
稻垣吾郎,上白石萌音,片岡愛之助,水上恒司,川島鈴遙,桐谷美玲,菜菜緒,長澤雅美,神木隆之介,伊藤淳史,堀北真希,坂上忍,生田繪梨花,生駒里奈,白石麻衣,西野七瀨,齋藤飛鳥,佐藤健影視排行
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
奪寶生死戰
Grant Show,Vivian Wu,Steve Bacic到2068年,地球上的臭氧消失了,因此,猛烈的、無法控制的風暴正在夷平它的表面。一小群軍事幸存者是人類的最后的捍衛者,當隊長約翰庭院是找到一份工作前戰友拉皮埃爾,他現在是受雇于帝國,一個eco-profiteer,為了拯救他的父親和其他幾位幸存者中庭同意。他和一小群雇傭兵要闖入幾乎不可滲透的文森特遺產和找回無價的“藝術”,儲存在那里的啟示之前。但是有一種致命的電腦控制的防御系統叫做“加密”,他們必須繞過它,還有一個殺手機器人叫做Rook &類似人類的全息安全主管Diana,她掌握著地球完全毀滅的鑰匙——或者說是完全的拯救。
藏獒多吉
劉婧犖,阿蘭,芒萊,趙嶺,周志強,王博,張遙函,趙曉明,張偉,李世榮,徐濤少年田勁的父母早年為了將西醫帶入藏地做出了無數的犧牲,由于無法適應高原的生活,田勁的媽媽帶著尚在襁褓中的兒子返回內地,爸爸拉格巴則在高原繼續著他的事業。數年過后,媽媽病故,無依無靠的田勁來到高原尋找爸爸,然而心中卻藏著無數的怨恨。拉格巴終日忙碌行醫,任憑兒子自行學習牧羊。某天,田勁遭到狗熊的威脅,幸虧一只金色的藏獒相助,后來更因種種機緣讓他與這只名叫多吉的藏獒成為最親密的朋友。與此同時,草原上出現了專門殘害生靈的惡魔,牧民的平靜生活被徹底打破……本片根據楊志軍的小說《藏獒》改編,由中日兩國聯合制作,日本著名漫畫家浦澤直樹還擔任了人設和導演的工作。
為你遺憾
麥肯娜·格瑞絲,梅森·泰晤士,艾莉森·威廉姆斯,戴夫·弗蘭科,斯科特·伊斯特伍德,薇拉·菲茨杰拉德,薩姆·莫雷洛斯,克蘭西·布朗,庫爾特·岳,奧布雷·布洛克維,瑪莎兒·樂芙蘭,盧克·皮埃爾·羅內斯,伊桑·科斯塔尼拉,艾麗西亞·卡斯伯特森,威廉·伯納姆·西蒙斯,瑞安·康納·西蒙斯,丹尼爾·史密斯,哈薩尼·維貝茲·科默,瑪克西瑪·馬斯特斯一宗牽涉兩條人命的嚴重交通意外,揭開了令人震驚的秘密;一對母女被迫面對家族的傷痕,探索愛的定義,并重新認識彼此。 影片改編自《愛情,到此為止》原作者科琳·胡佛的同名暢銷小說。