可疑的美容院

孤兒2025

感恩節(jié)

　　一個連環(huán)殺人犯前往馬薩諸塞州小鎮(zhèn)，想把鎮(zhèn)上居民打造成感恩節(jié)活人雕刻版。

失蹤兒童錄像帶

　　敬太（杉田雷麟 飾）的弟弟日向很久之前，在山中失蹤。敬太一直還在尋找弟弟。一天，他突然收到母親寄來的一盤舊錄像帶，里面是弟弟失蹤瞬間的錄像。　　敬太擅長通靈的室友（平井亞門 飾）從錄像帶中感受到了不祥的氣氛，并勸敬太不要過多地介入其中。 隨后，他倆與一直報道此事的記者 美琴（森田想 飾）共同前往了弟弟失蹤的那座山。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

醫(yī)神

　　田七（張達明 飾）是個精人，常喝醉打妻子當歸（蔡少芬 飾），當歸痛定思痛發(fā)誓要對夫報復(fù)，剛巧城中富商羅漢果欲尋名醫(yī)，當歸于是謊稱丈夫會醫(yī)術(shù)，并且要用精棍子揍田七，他才會應(yīng)允他人治醫(yī)，羅漢果信以為真，不但將田七痛打一頓，并將其接入家中，于是一場啼笑皆非的鬧劇開始了……