尸囚獄：前篇

評分：5.3 播放：32萬 更新：2026-04-27

八坂村是位於縣界附近深山中，人口只有43人的小村子。一輛廂型車行駛在通往這個小村落的唯一道路上，車上有來這個村子做研究的比良坂大學教授葦原和他的助手香坂，以及美琴等四名女大學生。當他們抵達以後，美琴一行人受到村長天野以及男村民的熱烈歡迎，可是村子卻彌漫著一股異樣的氣息。沒錯，因為這個村子里面完全不見女人的蹤影。而葦原來這里的目的也是為了調查這個與世隔絕的村子里所發生的這種詭異現象，為了得到協助，他同意村長的條件，要帶年輕女子一起來…

影片推薦

同類精選

影視排行

養鬼吃人9：啟示錄

史蒂文·布蘭德,丹尼爾·布蘭,Jolene Andersen

　　某個晴朗假日，美國青年尼克（Jay Gillespie 飾）和好友史蒂文（Nick Eversman 飾）驅車穿越國境線，打算前往墨西哥的提華納尋找一次絕佳的艷遇。他們很快便鎖定了一個性感尤物，但是突如其來的意外讓二人的狂歡設想灰飛煙滅。正當他們垂頭喪氣之際，某當地人送給二人一個精致的魔方。尼克和史蒂文的命運就此改寫，他們也有如人間蒸發一般消失。　　尼克和史蒂文的失蹤給各自家人莫大的打擊，在一次家庭聚會中，艾瑪（Tracey Fairaway 飾）從兩人的行李中找到了那枚魔方，而渾身是血的史蒂文也突然出現在房間內。家人們對此感到驚奇喜悅，卻不知道丁頭鬼的魔爪正慢慢伸向他們……

復仇公主斯嘉麗

蘆田愛菜,岡田將生,役所廣司,市村正親,吉田鋼太郎,齊藤由貴,松重豐,山路和弘,柄本時生,青木崇高,染谷將太,白山乃愛,白石加代子

在戰火紛飛的中世紀王國中，手握利劍的斯嘉麗公主為替父報仇毅然踏上征途，卻以失敗收場。當她再次醒來時，發現自己身處神秘的“死者之國”。在那里，她邂逅了一位來自現代的理想主義青年；他的善意與慈悲，動搖了她心中根深蒂固的仇恨。當殺父仇敵再度現身，斯嘉麗必須做出抉擇：是繼續執念于復仇，還是尋找到仇恨之外的人生意義。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

明明不是我！

阿部寬

影片改編自淺倉秋成創作的同名小說，講述了一個在社交媒體上，毫無根據的信息被視為“真相”，并逐漸演變成重大事件的現代冤案恐怖故事。阿部寬飾演的主角是大型住宅建材公司的營業部長山縣泰介，有一天突然在社交媒體上被指認為“殺人事件的兇手”，個人信息被曝光。雖然完全無辜，卻被社會追捕、陷入“網絡風暴”之中，不得不逃亡。