愛(ài)情牛排

★ 6.7 播放：20萬(wàn) 更新：2026-04-27

背景是一座位於海邊的度假飯店。「一分熟」（Rare）的男主角是專為貴婦服務(wù)的菜鳥(niǎo)按摩師；「全熟」（Well-Done）的女主角則在男性至上的廚房裡工作。他在客人肉體上害羞地磨搓，還要躲避性騷擾；她則狂放地剁切流理臺(tái)上的生肉，並偷偷酗酒；當(dāng)草食男碰上肉食女，要用什麼樣的秘方調(diào)合，才能讓愛(ài)情的生熟恰到好處？

在線播放

劇情簡(jiǎn)介

背景是一座位於海邊的度假飯店。「一分熟」（Rare）的男主角是專為貴婦服務(wù)的菜鳥(niǎo)按摩師；「全熟」（Well-Done）的女主角則在男性至上的廚房裡工作。他在客人肉體上害羞地磨搓，還要躲避性騷擾；她則狂放地剁切流理臺(tái)上的生肉，並偷偷酗酒；當(dāng)草食男碰上肉食女，要用什麼樣的秘方調(diào)合，才能讓愛(ài)情的生熟恰到好處？

導(dǎo)演精選

樂(lè)透大作戰(zhàn)

　　即將退伍的南韓兵長(zhǎng)千禹（高庚杓 飾），某天意外在緊繃的南北韓軍事線附近，撿到一張飄向自己的頭獎(jiǎng)彩券，之后卻一個(gè)不小心，讓這張彩券乘風(fēng)飄向無(wú)法涉足的北韓…。為了靠57億獎(jiǎng)金實(shí)現(xiàn)退伍夢(mèng)想，他使出渾身解數(shù)尋找彩券，沒(méi)想到竟被北韓士兵榮浩（李伊庚 飾）給撿到…。跟彩券擦身而過(guò)的 千禹，以及在北韓不過(guò)是張紙片，必須到南韓把彩券換成獎(jiǎng)金的榮浩，再加上意想不到的成員們共同加入，雙方為了死守這57億巨額獎(jiǎng)金，決定“越線”展開(kāi)驚險(xiǎn)刺激的機(jī)密協(xié)商······

奇幻西游：新世界

　　未來(lái)世界，科技與數(shù)據(jù)主宰一切，當(dāng)舊城區(qū)變得又老又?jǐn)D，以最新科技打造的新世界，成為人人向往的移居地，然而唯有貢獻(xiàn)值最高的菁英，才有資格入住。八戒（許光漢 配音）又懶又自私當(dāng)然失格，但他為了讓奶奶（鐘欣凌 配音）過(guò)好日子，決定違背良心，與建商總裁牛魔王（庹宗華 配音）私下交易……　　影片將《西游記》搬到科幻場(chǎng)景，八戒化身賽博胖客，與理工男三藏（劉冠廷 配音）、火爆護(hù)衛(wèi)悟空（庾澄慶 配音）、女機(jī)器人小凈（邵雨薇 配音），穿梭新舊混雜市景，探索幸福真諦。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster