設(shè)局
戈梅拉島上的森林發(fā)現(xiàn)一具年輕男子的尸體。當(dāng)?shù)仉m有一名嫌疑犯遭到起訴，但最終仍然獲判無(wú)罪。案子也就簽署結(jié)案3年后，調(diào)查局檢察官貝維拉卡和他的助手查莫洛被派去加那利群島重啟調(diào)查工作。另一名曾在被害人生前見(jiàn)過(guò)最后一面的西班牙警隊(duì)下士安格拉達(dá)，也一同協(xié)助他們調(diào)查厘清案 情?！≈饕臃笧楫?dāng)?shù)匾幻恼?。調(diào)查小組挑戰(zhàn)政治與破案的壓力，他們與時(shí)間賽跑還原命案現(xiàn)場(chǎng)找尋破案關(guān)鍵線索！這是一場(chǎng)斗智的對(duì)立賽。然而島上終日煙霧彌漫，調(diào)查工作也在一片迷茫中即將撥云見(jiàn)日 ;難以料想的是，當(dāng)謎霧散開(kāi)，眾人才發(fā)現(xiàn)島上居民背后深藏許久的驚悚秘密
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電影版淘氣小企鵝啵樂(lè)樂(lè)甜蜜城堡大冒險(xiǎn)
Su Jung Ham,Lee Sun-kyun,李美子...
牧群
The first feminist vegan horror film, The Herd has been rejected by some film festivals for being too horrific or political. A number of kidnapped women are kept imprisoned in a squalid medical facility condemned to a life of enforced servitude at the whims of their captors, without any hope of rescue or escape.
暗夜呢喃
Stephen Blackehart,Mark Colson,Lance J. HoltBased on the H. P. Lovecraft story of the same name, a folklorist investigates reports of unusual creatures in Vermont only to uncover more than he bargained for
神探伽利略 禁斷的魔術(shù)
福山雅治,北村一輝,新木優(yōu)子,村上虹郎,森七菜,渡邊一計(jì),澤部佑,朝倉(cāng)亞紀(jì),中村雅俊,鈴木浩介,平原テツ「沈黙のパレード」の4年前に起きた事件を描く「ガリレオ 禁斷の魔術(shù)」。帝都大學(xué)の準(zhǔn)教授である湯川のもとを刑事の草薙俊平と、部下の牧村朋佳が訪れる。殺害されたフリーライター?長(zhǎng)岡修の部屋から、突然倉(cāng)庫(kù)の壁に穴が開(kāi)くという奇妙な動(dòng)畫(huà)ファイルが見(jiàn)つかったのだ。動(dòng)畫(huà)を観て珍しく興味を抱く湯川?！赣诚瘠橛挨丹欷繄?chǎng)所を見(jiàn)せてくれ」と言う湯川のただならぬ様子を気にかけつつ、草薙は牧村とともに現(xiàn)場(chǎng)へ向かう。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
瘋狂特警隊(duì)
丹尼·伯恩,愛(ài)麗絲·波爾,米歇爾·布朗,伊萬(wàn)·阿達(dá)勒,薩賓·阿澤瑪,帕特里克·米勒,弗朗西斯·利范德,安·瑪麗文,弗洛亨特·皮耶,阿蘭·杜泰,于爾班·康塞利埃,弗朗索瓦·溫琴泰利特警隊(duì)教官歐仁近來(lái)諸事不順，而偏偏警隊(duì)又突然空降了一個(gè)培訓(xùn)生喬漢娜，這個(gè)一心想成為法國(guó)特警隊(duì)第一位女警官的培訓(xùn)生就像一顆定時(shí)炸彈，她給特警隊(duì)惹了千奇百怪、層出不窮的麻煩，但每次都歪打正著，和隊(duì)友一起出色完成各類高難度任務(wù)……