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劇情提要
由兩段故事組成:1.相戀七年分手的男人遇上人妻老板娘雙宿雙飛...2.兩個老處女的俱樂部艷遇之旅
暗夜精選
地心記
彼得·庫欣,道格·麥克洛,卡羅琳·莫羅,Cy Grant,Godfrey James,基思·巴倫,Robert Gillespie三滴血2025
胡歌,文淇,高子淇,閆妮,宋佳,高葉,歐豪,李雪琴,楊新鳴,艾麗婭,馬迎春,張奕聰,王悅伊,張本煜,汪鐸,劉千慈身在其中
艾莉森·帕拉迪絲,Jean-Baptiste Tabourin,Claude Lulé,Dominique Frot,娜莎麗·羅賽,Fran?ois-Régis Marchasson,碧翠斯·黛爾,Hyam Zaytoun,塔哈·拉希姆,Emmanuel Guez,盧德維克·伯特希爾克,Emmanuel Lanzi,尼古拉斯·迪佛休爾,艾曼·賽義迪逃離地下天堂
麥克爾·約克,理查德·喬丹,珍妮·艾加特,羅斯科·李·布朗尼,費拉·福賽特,小邁克爾·安德森,彼得·烏斯蒂諾夫,Randolph Roberts,Lara Lindsay,Gary Morgan,勞拉·海佩告白
松隆子,岡田將生,木村佳乃,西井幸人,橋本愛,蘆田愛菜,三吉彩花,藤原薰,井之脅海,清水尚彌,高橋努,一井直樹,能年玲奈,新井浩文,野本螢殺戮南瓜怪
佩頓·伊麗莎白·李,柯瑞·福格爾瑪尼斯,懷亞特·林德納,卡拉·吉門內(nèi)斯,Sasha Mason,喬納·利斯,DJ·考爾斯,Marc Sully Saint-Fleur壞繼母
蘇菲亞·威希涅瓦,克里斯蒂·斯旺森,羅根·霍夫曼,戴夫·戴維斯,Anthony Marble,約翰·麥康奈爾同系列推薦
15點17分,啟程巴黎
斯賓塞·斯通,安東尼·薩德勒,亞歷克·斯卡拉托斯,朱迪·格雷爾,珍娜·費舍,賈里爾·懷特,托馬斯·列農(nóng),托尼·海爾,P·J·伯恩,布萊斯·吉扎爾,斯蒂芬·考特爾,羅伯特·普拉爾戈,加里·維克斯秘密會議
拉爾夫·費因斯,斯坦利·圖齊,約翰·利思戈,盧西安·姆瑟馬蒂,賽爾喬·卡斯特利托,伊莎貝拉·羅西里尼,布萊恩·F·奧博恩,卡洛斯·迪赫茲,梅拉布·尼尼澤,托馬斯·洛伊布爾,亞采克·科曼,布魯諾·諾維利,羅尼·克拉默,瓦萊里奧·達(dá)·席爾瓦,約瑟夫·邁德爾,文森佐·法伊拉,加里克·哈根,馬達(dá)夫·夏爾馬,洛里斯·洛迪,羅伯托·西特蘭民國驚魂錄
郝普,陳凱欣,曹璐殺戮元兇:狙擊手
拉斯·米克爾森,雅各布·克德格恩,勞拉·巴赫,拉克·溫特·安德森,佛雷克·米德·諾高,拉斯·蘭特,Peter Pilegaard快樂獵殺
Martin Dingle Wall,Ken Lally,C.J. Baker,Gary Sturm隔壁的星光
福本莉子,八木勇征,倉悠貴,橫田真悠,西垣匠,田鍋梨梨花,清水美沙,宮崎吐夢,紺野真晝,野波麻帆,濱野謙太幕后花絮
血腥老虎:沖突開始
警官哈金臥底潛入紅虎幫,并成功贏得該幫派的信任。他不僅成功揭露了他們的罪行,還必須直面這些殘暴的罪犯。然而,他遭遇背叛,陷入道德困境,在不為人知的情況下為維護(hù)正義而戰(zhàn),他的忠誠度也受到了考驗。
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster