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無瑕修女
西德尼·斯維尼,西蒙納·塔巴斯科,阿爾瓦羅·莫奇,貝內黛塔·波爾卡羅利,朵拉·羅馬諾,吉皮耶羅·朱迪卡,喬治·科蘭杰利塞西莉亞（西德妮·斯威尼 飾）是一個非常虔誠的修女，她來到意大利鄉間修道院開始新生活，卻在這個幾乎全是女人的地方意外懷孕，原來這里隱藏著黑暗和可怕的秘密。
正義聯盟：無限地球危機（中）
詹森·阿克斯,斯坦娜·卡蒂克,吉米·辛普森,吉第安·艾朵,盧·戴蒙德·菲利普斯,詹妮弗·黑爾,特洛伊·貝克,阿爾迪斯·霍吉,威爾·弗里德爾,梅格·唐納利,岑勇康,馬特·蘭特爾,達倫·克里斯,連姆·麥肯泰爾,艾托·艾桑多,吉奧弗瑞·阿倫德,杰米·格雷·海德,凱沙·夏普,馬特·瑞安,喬納森·亞當斯PG-13 An endless army of shadow demons bent on the destruction of all reality swarms over our world and all parallel Earths. The only thing opposing them is the mightiest team of metahumans ever assembled. But not even the combined power of Superman, Batman, Wonder Woman, Green Lantern and all their fellow superheroes can slow down the onslaught of this invincible horde. What mysterious force is driving them? And how do the long-buried secrets of the Monitor and Supergirl threaten to crush our last defense?
愚者的身份
北村匠海,綾野剛,林裕太,山下美月,矢本悠馬,木南晴夏在社交網絡上偽裝女性，用話術誘騙無親無故的男性套取個人信息，從事戶籍買賣的拓也（北村匠海 飾）和守（林裕太 飾），自幼在惡劣環境中長大，不知不覺已成為黑道組織的爪牙。 盡管涉足灰色產業，這兩個時常插科打諢的年輕人，本質上只是普通的都市青年，彼此相依為命。當拓也在黑道引路人、猶如兄長般存在的梶谷（綾野剛 飾）的協助下，決心與守一同逃離這個黑暗世界時，等待他們的卻是......
柔情摯我
薇姬·克里普斯,莫妮亞·喬柯里,維果·費雷拉-雷迪爾,安托萬·賴納茨,費奧多爾·阿特金,樸智敏,Manuel Vallade,奧拉利亞·佩蒂特,薩利夫·西塞,朱利安·德·圣·讓,瑪洛·赫比齊,安娜·西加勒維奇,Tallulah Cassavetti,安東尼·米切爾,烏姆尼亞·哈納德她離開丈夫與兒子，也離開穩定的律師工作，在泳池、露天咖啡廳與私人公寓自在游走。以寫作寄托生活，對兒子的愛未減半分，與丈夫也親如摯友，直到那日，她向丈夫吐露與女性的親密關系，完美生活旋即化為一場幻夢。在失去監護權后，她不得不在機構間穿梭，為了見兒子一面奮力一搏，卻不知這樣的困境，何時能走到盡頭？
比佛利拜金狗
派珀·佩拉博,馬諾洛·卡多納,杰米·李·柯蒂斯,何塞·馬利亞·亞茲皮克,莫瑞·史特林,杰蘇斯·歐喬阿,德魯·巴里摩爾,安迪·加西亞,喬治·洛佩茲克洛伊（德魯·巴里摩爾 Drew Barrymore 配音）是比佛利山的一只吉娃娃狗，被寵壞了的它生活極其奢侈。主人薇薇姑媽（杰米·李·柯蒂斯 Jamie Lee Curtis 飾）要出遠門，把照顧克洛伊的任務交給了安吉拉（愛莉·希爾斯 Ali Hillis 飾）。安吉拉帶著克洛伊和朋友們一起去墨西哥的海灘旅行。來到海灘， 姑娘們立即被健碩英俊的小伙子們吸引了，而克洛伊則在安吉拉的“重色輕狗”下，走失于碩大的墨西哥城中。那些簡陋的街道看起來跟比佛利山大相徑庭。無奈之下，克洛伊只得求助于一些新朋友，包括一只經歷復雜的德國牧羊犬戴戈多（安迪·加西亞 Andy Garcia 飾），和一只多情的小狗帕皮（喬治·洛佩茲 George Lopez 飾），克洛伊在它們的幫助下，振作精神找尋回家的路......
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.